SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Popular Music Analysis in American Music Theory
16 references·0 citing·34 second hop
Popular Music Analysis in American Music Theory (2005)Popular Music Analysis in American Music …Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music (2006)Unlocking the Groove: Rhythm,…Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Neo-Riemannian Theory and the…Making Sense of Rock’s Tonal Systems (2004)Making Sense of Rock’s Tonal …(Ac)cumulative Form in Pop-Rock Music (2004)(Ac)cumulative Form in Pop-Ro…Popular music analysis: ten apothegms and four instances (2003)Popular music analysis: ten a…The poetics of rock: cutting tracks, making records (2002)The poetics of rock: cutting …Rap music and the poetics of identity (2000)Rap music and the poetics of …Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon (1998)Elvis Everywhere: Musicology …The American popular ballad of the Golden Era, 1924-1950 (1996)The American popular ballad o…The so-called ‘flattened seventh’ in rock (1995)The so-called ‘flattened seve…Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (1995)Running with the Devil: Power…Rock, the primary text: developing a musicology of rock (1993)Rock, the primary text: devel…Popular music analysis and musicology: bridging the gap (1993)Popular music analysis and mu…Patterns of harmony (1992)Patterns of harmonyStudying Popular Music (1991)Studying Popular MusicAnalysing popular music: theory, method and practice (1982)Analysing popular music: theo…Studying Popular Music (1990)Playing with Signs (1991)Configuring the sound-box 1965–1972 (2010)Discourses of unity and purpose in the sounds of fascist music: a multimodal approach (2012)A manifesto for metal studies: Or putting the ‘politics of metal’ in its place (2018)Running with the devil: power, gender, and madness in heavy metal music (1993)The melodic-harmonic ‘divorce’ in rock (2007)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Tuning of the World (1983)Music and Language (1994)Triadic Modal and Pentatonic Patterns in Rock Music (2010)A corpus analysis of rock harmony (2011)Garage band or GarageBand®? Remixing musical futures (2010)Formal Functions of Metric Dissonance in Rock Music (2014)Beats, flesh, and grain: sonic tactility and affect in electronic dance music (2015)Ethnography and popular music studies (1993)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Class, Control, and Classical Music (2019)Guitar Voicing in Pop-Rock Music (2011)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Tonal Ambiguity in Popular Music’s Axis Progressions (2017)Wired for sound: engineering and technologies in sonic cultures (2005)“Heritage rock”: Rock music, representation and heritage discourse (2009)Soundscapes: Toward a Sounded Anthropology (2010)The Cambridge History of American Music (1998)The Oxford Handbook of The American Musical (2011)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Researching youth culture and popular music: a methodological critique (2002)What Is Sociological about Music? (2010)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Misogyny in Rap Music (2009)
this work references cited by second hop

References

  • 1991Studying Popular Music550 cited
  • 2000Rap music and the poetics of identity499 cited
  • 1982Analysing popular music: theory, method and practice376 cited
  • 2006Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music375 cited
  • 1995Running with the Devil: Power, Gender, and Madness in Heavy Metal Music338 cited
  • 2002The poetics of rock: cutting tracks, making records235 cited
  • 1996The American popular ballad of the Golden Era, 1924-1950194 cited
  • 1995The so-called ‘flattened seventh’ in rock140 cited
  • 2004Making Sense of Rock’s Tonal Systems140 cited
  • 1993Popular music analysis and musicology: bridging the gap131 cited
  • 2004(Ac)cumulative Form in Pop-Rock Music101 cited
  • 2004Neo-Riemannian Theory and the Analysis of Pop-Rock Music94 cited
  • 2003Popular music analysis: ten apothegms and four instances87 cited
  • 1998Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon86 cited
  • 1992Patterns of harmony81 cited
  • 1993Rock, the primary text: developing a musicology of rock

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

64 cited

Cited by

No citing works inside the corpus for this window.