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Richard Brome, Caroline Playwright
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Richard Brome, Caroline Playwright (1962)Richard Brome, Caroline PlaywrightTherapeutic Travel in Richard Brome’s The Antipodes (2013)Therapeutic Travel in Richard…Thomas Dekker and the emergence of city comedy (2012)Thomas Dekker and the emergen…The Cambridge Companion to Shakespeare and Contemporary Dramatists (2012)The Cambridge Companion to Sh…George Chapman’s learned drama (2012)George Chapman’s learned drama‘The words of Mercury’ (2012)‘The words of Mercury’A "Birthright into a New World": Representing the Town on Brome's Stage (2011)A "Birthright into a New Worl…The Joys of Martha Joyless: Queer Pedagogy and the (Early Modern) Production of Sexual Knowledge (2009)The Joys of Martha Joyless: Q…Collaborating across Generations: Thomas Heywood, Richard Brome, and the Production of The Late Lancashire Witches (2000)Collaborating across Generati…The Themes and Staging of Bartholomew Fair (1970)The Themes and Staging of Bar…The Illusion of Power (1975)Renaissance Self-Fashioning from More to Shakespeare (1981)Renaissance Self-Fashioning from More to Shakespeare (1982)Islands and Beaches: Discourse on a Silent Land--Marquesas, 1774-1880 (1981)The Social Life of Things (1986)Homo sacer: sovereign power and bare life (1999)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Marvelous Possessions: The Wonder of the New World (1991)The Cambridge Edition of the Works of Ben Jonson (1998)Antipodean theory for educational research (2017)Anatomy of Criticism (1957)THE ACT OF CREATION (1967)The Elizabethan Stage (2009)The Politics and Poetics of Transgression (1988)The field of Cultural Production (2002)Seneca, what Seneca? The Chorus in The Spanish Tragedy (2007)The Cambridge Introduction to Early Modern Drama, 1576–1642 (2014)Rabelais and his world (2020)Novel and The Police (1988)Times Square Red, Times Square Blue (1999)The trouble with normal: sex, politics, and the ethics of queer life (2000)Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. (1985)The Body Embarrassed (1993)Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama (1997)
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Cited by

  • 2000Collaborating across Generations: Thomas Heywood, Richard Brome, and the Production of The Late Lancashire Witches10 cited
  • 2012The Cambridge Companion to Shakespeare and Contemporary Dramatists6 cited
  • 1970The Themes and Staging of Bartholomew Fair5 cited
  • 2013Therapeutic Travel in Richard Brome’s The Antipodes4 cited
  • 2009The Joys of Martha Joyless: Queer Pedagogy and the (Early Modern) Production of Sexual Knowledge3 cited
  • 2012‘The words of Mercury’2 cited
  • 2011A "Birthright into a New World": Representing the Town on Brome's Stage2 cited
  • 2012George Chapman’s learned drama2 cited
  • 2012Thomas Dekker and the emergence of city comedy2 cited

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