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On Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte
5 references·4 citing·28 second hop
On Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte (2015)On Synergies of Schema Theory and Theory …Schema Theory as a Construction Grammar (2015)Schema Theory as a Constructi…TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)TRAZOM'S WIT: COMMUNICATIVE S…A Classic Turn of Phrase: Music and the Psychology of Convention (1990)A Classic Turn of Phrase: Mus…A classic turn of phrase: music and the psychology of convention (1988)A classic turn of phrase: mus…Explaining Music: Essays and Explorations (1974)Explaining Music: Essays and …Felix Diergarten / Markus Neuwirth, Formenlehre. Ein Lese- und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhunderts, Laaber: Laaber 2019 (2020)Felix Diergarten / Markus Neu…Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid (2019)Schoenberg – Schenker – Bach.…Formfunktionen der Sonatenform. Ein Beitrag zur Sonatentheorie auf der Grundlage einer Kritik an William E. Caplins Verständnis von Formfunktionen (2018)Formfunktionen der Sonatenfor…Schemata und Systemcharakter (2015)Schemata und SystemcharakterSyntactic Structures (1957)ASPECTS OF THE THEORY OF SYNTAX (1964)Women, Fire, and Dangerous Things (1987)Gjerdingen’s Schemata Reexamined (2018)Bang your Head: Construing Beat through Familiar Drum Patterns in Metal Music (2021)Tonality (2023)The Silent Language (1959)The Interpretation of Cultures (1974)The Heartz: A Galant Schema from Corelli to Mozart (2014)Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form‐Functional Theory (2016)The Interpretation of Cultures (2017)Studies on the origin of harmonic tonality (1991)Audacious euphony: Chromaticism and the triad's second nature (2013)Warum es die Welt nicht gibt (2013)Die Wissenschaft der Gesellschaft (1991)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Fundamentals of Musical Composition (1968)Soziale Systeme: Grundriß einer allgemeinen Theorie (1984)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Harmony in Haydn and Mozart (2012)M eyer's Anvil: Revisiting the Schema Concept (2012)Enacting Musical Time (2019)Rethinking Mendelssohn (2020)Mind in Nature (2023)Historisches Panoptikum der Satzmodelle (2007)Introduction to the Special Issues on Corpus Methods (2013)Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung (2016)
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References

  • 1974Explaining Music: Essays and Explorations188 cited
  • 1988A classic turn of phrase: music and the psychology of convention151 cited
  • 2015Schema Theory as a Construction Grammar104 cited
  • 2013TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA50 cited
  • 1990A Classic Turn of Phrase: Music and the Psychology of Convention30 cited

Cited by

  • 2019Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid24 cited
  • 2015Schemata und Systemcharakter5 cited
  • 2020Felix Diergarten / Markus Neuwirth, Formenlehre. Ein Lese- und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhunderts, Laaber: Laaber 20192 cited
  • 2018Formfunktionen der Sonatenform. Ein Beitrag zur Sonatentheorie auf der Grundlage einer Kritik an William E. Caplins Verständnis von Formfunktionen2 cited

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