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Zur amerikanischen Rezeption der Schichtenlehre Heinrich Schenkers
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Zur amerikanischen Rezeption der Schichtenlehre Heinrich Schenkers (2005)Zur amerikanischen Rezeption der Schichte…2. Thematic Content: A Schenkerian View (2017)2. Thematic Content: A Schenk…Phrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicLiszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Liszt's Experimental Idiom an…Introduction to Schenkerian Analysis (1983)Introduction to Schenkerian A…Heinrich Schenker’s Epistemology and Philosophy of Music: an Essay on the Relations Between Evolutionary Theory and Music Theory (1983)Heinrich Schenker’s Epistemol…Rhythm and the theory of structural levels (1981)Rhythm and the theory of stru…The Living Work: Organicism and Musical Analysis (1980)The Living Work: Organicism a…Schenker's "Motivic Parallelisms" (1978)Schenker's "Motivic Paralleli…The Structure of Atonal Music (1974)The Structure of Atonal MusicSchenker's Conception of Musical Structure (1959)Schenker's Conception of Musi…Structural Hearing; Tonal Coherence in Music (1953)Structural Hearing; Tonal Coh…Challenge to Musical Tradition. A New Concept of Tonality (1945)Challenge to Musical Traditio…The Thematic Process in Music (1951)The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1954)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Autonomy of Motives in Schenkerian Accounts of Tonal Music (1992)Metaphor and music (2008)Style and Idea (1950)A History of Western Music (1960)The Structure of Atonal Music (1973)Progressive harmonic theory in the mid‐nineteenth century (1988)The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid (1988)Virtuosity and the Musical Work: The Transcendental Studies of Liszt (2003)The Question of Purpose in Music Theory: Description, Suggestion, and Explanation (2001)The Routledge Companion to Aesthetics (2005)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Classical Cadence: Conceptions and Misconceptions (2004)The Functional Extravagance of Chromatic Chords (1986)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Music as Discourse (2008)Variation Procedures in Northern Ewe Song (1990)Musical Forces and Melodic Patterns (2016)Understanding the leitmotif: from Wagner to Hollywood film music (2016)A Schenker Bibliography (1969)Shifting the focus of attention between levels of musical structure (2002)Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Q-analysis, or a language of structure: an introduction for social scientists, geographers and planners (1980)Atonal prolongational structure (1989)(Ac)cumulative Form in Pop-Rock Music (2004)From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century (1996)Timing and Music (2002)The first movement of Mozart's piano sonata in A Minor, K.310: Some thoughts on structure and performance (1987)Form and Voice Leading in Early Beatles Songs (2011)Brahms's ‘Musical Prose’ Reconsidered (2022)
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References

  • 1991Phrase Rhythm in Tonal Music479 cited
  • 1974The Structure of Atonal Music297 cited
  • 1953Structural Hearing; Tonal Coherence in Music246 cited
  • 1980The Living Work: Organicism and Musical Analysis132 cited
  • 1983Introduction to Schenkerian Analysis129 cited
  • 1987Liszt's Experimental Idiom and Music of the Early Twentieth Century104 cited
  • 1959Schenker's Conception of Musical Structure94 cited
  • 1978Schenker's "Motivic Parallelisms"65 cited
  • 1945Challenge to Musical Tradition. A New Concept of Tonality29 cited
  • 1981Rhythm and the theory of structural levels22 cited
  • 1983Heinrich Schenker’s Epistemology and Philosophy of Music: an Essay on the Relations Between Evolutionary Theory and Music Theory6 cited
  • 20172. Thematic Content: A Schenkerian View4 cited

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