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Musik als Zeitverlauf. Prozeßorientierte Analyseverfahren in der amerikanischen Musiktheorie
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Musik als Zeitverlauf. Prozeßorientierte Analyseverfahren in der amerikanischen Musiktheorie (2005)Musik als Zeitverlauf. Prozeßorientierte …Ideologie und Methode : zum ideengeschichtlichen Kontext von Schenkers Musiktheorie (1995)Ideologie und Methode : zum i…Musikalische Avantgarde um 1960 : Entwurf einer Theorie der informellen Musik (1993)Musikalische Avantgarde um 19…The time of music: new meanings, new temporalities, new listening strategies (1989)The time of music: new meanin…Brahms and the Principle of Developing Variation (1984)Brahms and the Principle of D…Beyond Orpheus: Studies in Musical Structure (1979)Beyond Orpheus: Studies in Mu…Structural Functions in Music (1977)Structural Functions in MusicExplaining Music: Essays and Explorations (1974)Explaining Music: Essays and …Explaining Music (1973)Explaining MusicGuidelines for Style Analysis (1972)Guidelines for Style AnalysisMusical Form and Musical Performance (1971)Musical Form and Musical Perf…Das Zeitalter der thematischen Prozesse in der Geschichte der Musik (1969)Das Zeitalter der thematische…A Study in Musical Analysis (1963)A Study in Musical AnalysisThe Thematic Process in Music (1951)The Thematic Process in MusicTexture as a Sign in Classic and Early Romantic Music (1982)Fantasy Pieces (1999)Meter and Grouping in African Music: A View from Music Theory (2000)The Living Work: Organicism and Musical Analysis (1980)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Epistemologies of music theory (2002)Thematic fame and melodic originality in classical music: A multivariate computer-content analysis1 (1980)John Field and the Alternative History of Concerto First-Movement Form (2011)Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions (2017)Beat-Class Modulation in Steve Reich's Music (2003)Journal of Religion & Society (2011)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)From Policy “Frames” to “Framing” (2014)Becoming Heinrich Schenker: music theory and ideology (2015)Music Theory and the White Racial Frame (2020)On African Music (2023)Enacting Musical Time (2019)Rethinking Mendelssohn (2020)Mind in Nature (2023)An Overview of Hierarchical Structure in Music (1983)Cadential processes: The evaded cadence and the “one more time” technique (1992)Cognitive constraints on compositional systems (1992)Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure (2010)Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid (2019)Translating musical meaning (2023)Brahms and Schenker: A Mutual Response to Sonata Form (1994)Atonality, Analysis, and the Intentional Fallacy (1996)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)
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References

  • 1989The time of music: new meanings, new temporalities, new listening strategies412 cited
  • 1977Structural Functions in Music330 cited
  • 1973Explaining Music308 cited
  • 1951The Thematic Process in Music293 cited
  • 1984Brahms and the Principle of Developing Variation189 cited
  • 1974Explaining Music: Essays and Explorations188 cited
  • 1971Musical Form and Musical Performance174 cited
  • 1972Guidelines for Style Analysis163 cited
  • 1979Beyond Orpheus: Studies in Musical Structure45 cited
  • 1995Ideologie und Methode : zum ideengeschichtlichen Kontext von Schenkers Musiktheorie31 cited
  • 1993Musikalische Avantgarde um 1960 : Entwurf einer Theorie der informellen Musik18 cited
  • 1963A Study in Musical Analysis11 cited
  • 1969Das Zeitalter der thematischen Prozesse in der Geschichte der Musik5 cited

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