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Von der Musiktheorie zum Tonsatz. Zur Geschichte eines geschichtslosen Faches
8 references·1 citing·22 second hop
Von der Musiktheorie zum Tonsatz. Zur Geschichte eines geschichtslosen Faches (2003)Von der Musiktheorie zum Tonsatz. Zur Ges…The Cambridge History of Western Music Theory (2002)The Cambridge History of West…Felix-Eberhard von Cube and the North-German Tradition of Schenkerism (1984)Felix-Eberhard von Cube and t…An annotated English translation of "Harmonielehre" of Rudolf Louis and Ludwig Thuille (1982)An annotated English translat…Musik im Dritten Reich : eine Dokumentation (1966)Musik im Dritten Reich : eine…Unterweisung im Tonsatz (1937)Unterweisung im TonsatzDie Voraussetzungen der theoretischen Harmonik und der tonalen Darstellungssysteme (1913)Die Voraussetzungen der theor…Die Deutsche musik der gegenwart (1909)Die Deutsche musik der gegenw…Harmony: Its Theory and Practice (1889)Harmony: Its Theory and Pract…Kann Musiktheorie ›historisch‹ sein? (2010)Kann Musiktheorie ›historisch…An Introduction to Tonal Theory (1976)Heinrich Schenker (2002)“That Bright New Light”: Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901–1910 (2005)Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century (1983)Contemplating Music: Challenges to Musicology (1989)Musica practica: music theory as pedagogy (2002)Schubert, Chromaticism, and the Ascending 5-6 Sequence (2006)Analysis Of Interactive Intonation In Unaccompanied Satb Ensembles. (2017)The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany (1994)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Harmony and Meter in the Theories of Simon Sechter (1980)“As Forming Becomes Form” (2017)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)The Schenker Project (2007)SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)Chromatically Altered Diminished‐Seventh Chords: Reframing Function through Dissonance Resolution in Late Nineteenth‐Century Tonality (2022)The Predominant Six-Four in the Late Music of Richard Strauss (2023)Energetics (2002)The Oxford Handbook of Neo-Riemannian Music Theories (2011)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)
this work references cited by second hop

References

  • 2002The Cambridge History of Western Music Theory449 cited
  • 1966Musik im Dritten Reich : eine Dokumentation91 cited
  • 1937Unterweisung im Tonsatz91 cited
  • 1889Harmony: Its Theory and Practice25 cited
  • 1913Die Voraussetzungen der theoretischen Harmonik und der tonalen Darstellungssysteme21 cited
  • 1984Felix-Eberhard von Cube and the North-German Tradition of Schenkerism19 cited
  • 1909Die Deutsche musik der gegenwart18 cited
  • 1982An annotated English translation of "Harmonielehre" of Rudolf Louis and Ludwig Thuille14 cited

Cited by

  • 2010Kann Musiktheorie ›historisch‹ sein?4 cited

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