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Whose riot? Collective memory of an iconic event in a local music scene
16 references·4 citing·44 second hop
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this work references cited by second hop

References

  • 1992On Collective Memory4,933 cited
  • 2003Theories of social remembering1,089 cited
  • 2006Movements and Memory: The Making of the Stonewall Myth519 cited
  • 2008Collective memory: Conceptual foundations and theoretical approaches431 cited
  • 1998Outline of a Theory of Generations403 cited
  • 2004The Past in the Present257 cited
  • 2011On Media Memory207 cited
  • 2016Popular Music Scenes and Cultural Memory150 cited
  • 2015‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies98 cited
  • 2011Local heritage, global context: cultural perspectives on sense of place69 cited
  • 2002Creating a Community Public Sphere: Community Radio as a Cultural Resource48 cited
  • 2004Pig City: From the Saints to Savage Garden47 cited
  • 2005Remembering Woodstock46 cited
  • 2012Live music and urban landscape: mapping the beat in Liverpool44 cited
  • 2008‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene40 cited
  • 2006Community broadcasting and the enclosure of the public sphere40 cited

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Cited by

  • 2020Researching Regional and Rural Music Scenes: Toward a Critical Understanding of an Under-theorized Issue11 cited
  • 2021“Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel6 cited
  • 2025From underground publishing to the present: A multidimensional analysis of punk fanzine culture in Turkey4 cited
  • 2023Searching for “Australia’s Woodstock”: The Forgotten Australian Rock Festivals of 1970 – 19754 cited