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Babylonian confusion. Zur Terminologie der Formanalyse von Pop- und Rockmusik
10 references·1 citing·31 second hop
Babylonian confusion. Zur Terminologie der Formanalyse von Pop- und Rockmusik (2011)Babylonian confusion. Zur Terminologie de…What's That Sound? : An Introduction to Rock and Its History (2006)What's That Sound? : An Intro…What to listen for in rock: a stylistic analysis (2003)What to listen for in rock: a…The Beatles as Musicians: The Quarry Men Through Rubber Soul (1999)The Beatles as Musicians: The…The Beatles as musicians: Revolver through the Anthology (1999)The Beatles as musicians: Rev…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …The beatles, the Brill building, and the persistence of Tin Pan Alley in the age of rock (1996)The beatles, the Brill buildi…The American popular ballad of the Golden Era, 1924-1950 (1996)The American popular ballad o…Rock, the primary text: developing a musicology of rock (1993)Rock, the primary text: devel…Popular music analysis and musicology: bridging the gap (1993)Popular music analysis and mu…Fundamentals of Musical Composition (1968)Fundamentals of Musical Compo…Introduction (2011)IntroductionStudying Popular Music (1990)Playing with Signs (1991)Studying Popular Music (1991)Configuring the sound-box 1965–1972 (2010)Discourses of unity and purpose in the sounds of fascist music: a multimodal approach (2012)A manifesto for metal studies: Or putting the ‘politics of metal’ in its place (2018)American Popular Song: The Great Innovators, 1900–1950 (1972)The seventh stream: the emergence of rocknroll in American popular music (1993)Birth pangs, growing pains and sibling rivalry: musical theatre in New York, 1900–1920 (2001)Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess (2001)The Cambridge Companion to the Singer-Songwriter (2016)Subverting the Verse–Chorus Paradigm (2013)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Form as Process: The Buildup Introduction in Popular Music (2015)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Music as Discourse (2008)(Ac)cumulative Form in Pop-Rock Music (2004)Expertise and Reason in Creative Thinking: Evidence from Case Studies and the Laboratory (2006)Modes of Expertise in Creative Thinking: Evidence from Case Studies (2006)The Stax sound: a musicological analysis (1995)What Chord Was That? A Study Of Strategies Among Ear Players In Rock Music (2004)Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era” (2020)The Cambridge History of American Music (1998)The Oxford Handbook of The American Musical (2011)Cultural Uniqueness and Aesthetic Cosmopolitanism (2007)‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’ (2014)The Cambridge Companion to the Rolling Stones (2019)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 1968Fundamentals of Musical Composition457 cited
  • 1999The Beatles as musicians: Revolver through the Anthology205 cited
  • 1999The Beatles as Musicians: The Quarry Men Through Rubber Soul196 cited
  • 1996The American popular ballad of the Golden Era, 1924-1950194 cited
  • 1993Popular music analysis and musicology: bridging the gap131 cited
  • 1996The beatles, the Brill building, and the persistence of Tin Pan Alley in the age of rock93 cited
  • 2003What to listen for in rock: a stylistic analysis88 cited
  • 2006What's That Sound? : An Introduction to Rock and Its History87 cited
  • 1993Rock, the primary text: developing a musicology of rock64 cited

Cited by

  • 2011Introduction3 cited

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