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Children’s clapping games on the virtual playground
15 references·3 citing·42 second hop
Children’s clapping games on the virtual playground (2018)Children’s clapping games on the virtual …Action, Criticism, and Theory for Music Education (2016)Action, Criticism, and Theory…Missteps, flaws and morphings in children’s musical play: Snapshots from school playgrounds (2014)Missteps, flaws and morphings…YouTube, fanvids, forums, vlogs and blogs: Informal music learning in a convergent on- and offline music community (2012)YouTube, fanvids, forums, vlo…The Oxford Handbook of Children's Musical Cultures (2012)The Oxford Handbook of Childr…Music teaching and learning online: Considering YouTube instructional videos (2012)Music teaching and learning o…Learning, teaching, and musical identity: voices across cultures (2012)Learning, teaching, and music…Children's Ways of Learning Inside and Outside the Classroom (2012)Children's Ways of Learning I…The YouTube Effect: How YouTube Has Provided New Ways to Consume, Create, and Share Music (2011)The YouTube Effect: How YouTu…Teachers' use of digital technology in secondary music education: illustrations of changing classrooms (2011)Teachers' use of digital tech…Watching YouTube (2010)Watching YouTubeThe Musical Playground: Global Tradition and Change in Children's Songs and Games (2009)The Musical Playground: Globa…Music analysis down the (You) tube? Exploring the potential of cross-media listening for the music classroom (2007)Music analysis down the (You)…Open and informal online communities as forums of collaborative musical activities and learning (2006)Open and informal online comm…From Children's Song to Expressive Practices: Old and New Directions in the Ethnomusicological Study of Children (2002)From Children's Song to Expre…PLANNING FOR HIGHER EDUCATION (1984)PLANNING FOR HIGHER EDUCATION¡Coreografía, música… acción! Caracterización y patrones gestuales de los juegos de manos en castellano (2021)¡Coreografía, música… acción!…Oh Canada meets Scotland the Brave: Identity, Meaning, Culture, and Music Learning in an Intergenerational Canadian-Scottish Pipe Band (2020)Oh Canada meets Scotland the …Evaluating YouTube videos for young children (2020)Evaluating YouTube videos for…How Popular Musicians Learn: A Way Ahead for Music Education (2002)Capturing sound: how technology has changed music (2005)Music, informal learning and the school: a new classroom pedagogy (2009)Follow the algorithm: An exploratory investigation of music on YouTube (2016)Rethinking teaching and learning pedagogy for education in the twenty-first century: blended learning in music education (2016)A hybrid learning pedagogy for surmounting the challenges of the COVID-19 pandemic in the performing arts education (2021)The Art of Case Study Research (1996)Garage rock bands: a future model for developing musical expertise? 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(2008)The Gender Gap Among EduTubers and the Factors Significantly Influencing It (2021)YouTube as a source of information about COVID-19 for children: Content quality, reliability, and audience participation analysis (2021)The impact of parent mediation on young children's home digital literacy practices and learning: A narrative review (2023)Vulnerability and agency in being and becoming a musician (2011)Attending to “culture in the small”: A narrative analysis of the role of play, thought and music in young children’s world-making (2015)Early childhood music education research: An overview (2016)Thirty-two Trends Affecting Distance Education: An Informed Foundation for Strategic Planning (2003)Is Higher Education Ready for Transformative Learning? (2004)Four domains of students’ sense of belonging to university (2019)Connecting music education and virtual performance practices from YouTube (2017)Implementation of Online Learning during the Covid-19 Pandemic on Madura Island, Indonesia (2020)The mental impact of digital divide due to COVID-19 pandemic induced emergency online learning at undergraduate level: Evidence from undergraduate students from Dhaka City (2021)Connections Between Performer and Teacher Identities in Music Teachers: Setting an Agenda for Research (2009)Using musical agency as a lens: Researching music education from the angle of experience (2011)Extended Self in a Digital World: Table 1. (2013)‘I Guess A Lot of People See Me as a Big Sister or a Friend’: the role of intimacy in the celebrification of beauty vloggers (2017)Capitalizing intimacy (2018)
this work references cited by second hop

References

  • 1984PLANNING FOR HIGHER EDUCATION991 cited
  • 2016Action, Criticism, and Theory for Music Education340 cited
  • 2010Watching YouTube196 cited
  • 2011The YouTube Effect: How YouTube Has Provided New Ways to Consume, Create, and Share Music171 cited
  • 2009The Musical Playground: Global Tradition and Change in Children's Songs and Games162 cited
  • 2011Teachers' use of digital technology in secondary music education: illustrations of changing classrooms154 cited
  • 2012YouTube, fanvids, forums, vlogs and blogs: Informal music learning in a convergent on- and offline music community149 cited
  • 2012Music teaching and learning online: Considering YouTube instructional videos131 cited
  • 2012Learning, teaching, and musical identity: voices across cultures86 cited
  • 2006Open and informal online communities as forums of collaborative musical activities and learning84 cited
  • 2012The Oxford Handbook of Children's Musical Cultures67 cited
  • 2007Music analysis down the (You) tube? Exploring the potential of cross-media listening for the music classroom52 cited
  • 2002From Children's Song to Expressive Practices: Old and New Directions in the Ethnomusicological Study of Children49 cited
  • 2012Children's Ways of Learning Inside and Outside the Classroom42 cited

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  • 2014Missteps, flaws and morphings in children’s musical play: Snapshots from school playgrounds17 cited
  • Cited by

    • 2020Evaluating YouTube videos for young children106 cited
    • 2021¡Coreografía, música… acción! Caracterización y patrones gestuales de los juegos de manos en castellano8 cited
    • 2020Oh Canada meets Scotland the Brave: Identity, Meaning, Culture, and Music Learning in an Intergenerational Canadian-Scottish Pipe Band5 cited