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The role of failure in developing creativity in professional music recording and production
16 references·1 citing·40 second hop
The role of failure in developing creativity in professional music recording and production (2018)The role of failure in developing creativ…Interpretative Phenomenological Analysis (2020)Interpretative Phenomenologic…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…The Standard Definition of Creativity (2012)The Standard Definition of Cr…Reflecting on the development of interpretative phenomenological analysis and its contribution to qualitative research in psychology (2008)Reflecting on the development…Explaining Creativity: The Science of Human Innovation (2007)Explaining Creativity: The Sc…RETRACTED ARTICLE: The Nature of Creativity (2006)RETRACTED ARTICLE: The Nature…Giving voice and making sense in interpretative phenomenological analysis (2006)Giving voice and making sense…Explaining Creativity: The Science of Human Innovation (2006)Explaining Creativity: The Sc…Out of Our Minds Learning to Be Creative (2002)Out of Our Minds Learning to …Semi-Structured Interviewing and Qualitative Analysis (1995)Semi-Structured Interviewing …Situated Learning: Legitimate Peripheral Participation. (1994)Situated Learning: Legitimate…The Soundscape: Our Sonic Environment and the Tuning of the World (1993)The Soundscape: Our Sonic Env…Learning Through Failure : The Strategy of Small Losses (1992)Learning Through Failure : Th…Implicit theories of intelligence, creativity, and wisdom. (1985)Implicit theories of intellig…Distinction. A Social Critique of the Judgement of Taste (1985)Distinction. A Social Critiqu…Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Processing Fads and Fashions:…Quality of network support for the deliberate practice of popular musicians (2020)Quality of network support fo…Phenomenological research methods (1994)Case Study Research (2004)A critical evaluation of the use of interpretative phenomenological analysis (IPA) in health psychology (2005)Evaluating the contribution of interpretative phenomenological analysis (2010)Mind, Self, and Society (2015)Journal article reporting standards for qualitative primary, qualitative meta-analytic, and mixed methods research in psychology: The APA Publications and Communications Board task force report. (2018)Optimal experience: Psychological studies of flow in consciousness. (1988)Using thematic analysis in psychology (2006)Hermeneutics, human sciences and health: linking theory and practice (2007)Interpretative Phenomenological Analysis: Theory, Method and Research (2010)Phenomenology of Perception (1982)Discourse and Social Psychology: Beyond Attitudes and Behaviour (1987)Qualitative Research: Data Collection, Analysis, and Management (2015)A Critical Overview of Interpretative Phenomenological Analysis: A Contemporary Qualitative Research Approach (2017)Can I use TA? Should I use TA? Should I not use TA? Comparing reflexive thematic analysis and other pattern‐based qualitative analytic approaches (2020)Creativity. (1950)The Social Psychology of Creativity (1983)Self-theories: Their Role in Motivation, Personality, and Development (1999)Reliability, Validity, and Factor Structure of the Creative Achievement Questionnaire (2005)Can We Trust Creativity Tests? A Review of the Torrance Tests of Creative Thinking (TTCT) (2006)Rethinking Giftedness and Gifted Education (2011)APA Dictionary of Psychology (2007)Intelligence, creativity, and cognitive control: The common and differential involvement of executive functions in intelligence and creativity (2014)Creative Cognition and Brain Network Dynamics (2015)Potential Originality and Effectiveness: The Dynamic Definition of Creativity (2016)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)Beyond Representation and Signification: Toward a Sonic Materialism (2011)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Teacher knowledge and the knowledge base of teaching (2001)Discourse Analysis as Theory and Method (2002)Distinctions between emotion and mood (2005)Situated Cognition and the Culture of Learning (1989)Organizational Learning and Communities-of-Practice: Toward a Unified View of Working, Learning, and Innovation (1991)What Video Games Have to Teach Us about Learning and Literacy (2004)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation (1994)The Moral Significance of Class (2005)
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References

  • 1994Situated Learning: Legitimate Peripheral Participation.39,454 cited
  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1985Distinction. A Social Critique of the Judgement of Taste4,442 cited
  • 2020Interpretative Phenomenological Analysis4,040 cited
  • 2012The Standard Definition of Creativity3,864 cited
  • 1993The Soundscape: Our Sonic Environment and the Tuning of the World2,494 cited
  • 2008Reflecting on the development of interpretative phenomenological analysis and its contribution to qualitative research in psychology2,174 cited
  • 2006Giving voice and making sense in interpretative phenomenological analysis1,914 cited
  • 2006RETRACTED ARTICLE: The Nature of Creativity1,498 cited
  • 1995Semi-Structured Interviewing and Qualitative Analysis1,356 cited
  • 1972Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems1,345 cited
  • 2007Explaining Creativity: The Science of Human Innovation1,269 cited
  • 1985Implicit theories of intelligence, creativity, and wisdom.1,263 cited
  • 2002Out of Our Minds Learning to Be Creative1,247 cited
  • 1992Learning Through Failure : The Strategy of Small Losses

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1,138 cited
  • 2006Explaining Creativity: The Science of Human Innovation1,076 cited
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    • 2020Quality of network support for the deliberate practice of popular musicians7 cited