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Cited by

• 2007Beautiful Dead Bodies: Gender, Migration and Representation in Anti-Trafficking Campaigns320 cited
• 2012The ignorance contract: recollections of apartheid childhoods and the construction of epistemologies of ignorance140 cited
• 2011“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence131 cited
• 2010Constructing masculinity on a social networking site93 cited
• 2021Feeling Like a Fetish: Racialized Feelings, Fetishization, and the Contours of Sexual Racism on Gay Dating Apps71 cited
• 2013Theoretical Considerations for Art Education Research with and about “Underserved Populations”65 cited
• 2004Lines of Sight in the “Network Society”: Simulation, Art Education, and a Digital Visual Culture49 cited
• 2016Here’s looking at her: an intersectional analysis of women, power and feminism in film46 cited
• 2018Activating Whiteness: Racializing the Ordinary in US American Postmodern Dance44 cited
• 2008Avatars, Second Life, and New Media Art: The Challenge for Contemporary Art Education42 cited
• 2014Needing to Acquire a Physical Impairment/Disability: (Re)Thinking the Connections between Trans and Disability Studies through Transability42 cited
• 2008THE COMPLEX VISUAL GENDERING OF POLITICAL WOMEN IN THE PRESS42 cited
• 2005The globalization of gender36 cited