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Vocaloid in China: Cosmopolitan music, cultural expression, and multilayer identity
16 references·4 citing·35 second hop
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References

  • 1990The consequences of modernity19,342 cited
  • 1997Modernization and Postmodernization5,388 cited
  • 1990Disjuncture and Difference in the Global Cultural Economy3,616 cited
  • 1996The media and modernity: a social theory of the media2,177 cited
  • 2009Music as social life: the politics of participation1,555 cited
  • 2002The psychology of globalization.1,444 cited
  • 1990The Export of Meaning: Cross-Cultural Readings of Dallas724 cited
  • 2002Recentering Globalization719 cited
  • 2003Contesting media power: alternative media in a networked world594 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2000The global transformations reader546 cited
  • 1995Media, Communication, Culture: A Global Approach408 cited
  • 2000The Globalization Syndrome375 cited
  • 2003Coming of Age in a Multicultural World: Globalization and Adolescent Cultural Identity Formation268 cited
  • 2004A Globalizing World?: Culture, Economics, Politics193 cited
  • 2013The Korean Wave135 cited

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Cited by

  • 2021More Kawaii than a Real-Person Live Streamer: Understanding How the Otaku Community Engages with and Perceives Virtual YouTubers142 cited
  • 2022“It Feels Like Being Locked in A Cage”: Understanding Blind or Low Vision Streamers’ Perceptions of Content Curation Algorithms34 cited
  • 2024‘I produce songs for her …. In this way, I gradually know her more. The more I know her, the more I like her’: Using Collins’ model of interactive ritual chains to study the case of virtual idol fandom in China11 cited
  • 2019Nation-states, transnational corporations and cosmopolitans in the global popular music economy6 cited