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Satzmodelle des ›Contrapunto alla mente‹ und ihre Bedeutung für den Stilwandel um 1600
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Satzmodelle des ›Contrapunto alla mente‹ und ihre Bedeutung für den Stilwandel um 1600 (2007)Satzmodelle des ›Contrapunto alla mente‹ …Die venezianische Kirchenmusik von Claudio Monteverdi (2006)Die venezianische Kirchenmusi…Counterpoint pedagogy in the Renaissance (2002)Counterpoint pedagogy in the …Der Stilwandel in der Musik um 1600 (1985)Der Stilwandel in der Musik u…Claudio Monteverdi und seine Zeit (1982)Claudio Monteverdi und seine …THE FANTASIA AS MUSICAL IMAGE (1974)THE FANTASIA AS MUSICAL IMAGECounterpoint in Composition (1969)Counterpoint in CompositionLe Istitutioni Harmoniche (1967)Le Istitutioni HarmonicheGeschichte der Orgel- und Klaviermusik bis 1700 (1967)Geschichte der Orgel- und Kla…Review of Massimiliano Guido, ed.,Studies in Historical Improvisation fromCantare super LibrumtoPartimenti (Ashgate, 2017) (2017)Review of Massimiliano Guido,…The New Grove Dictionary of Music and Musicians (1981)The Book of Memory: A Study of Memory in Medieval Culture (1991)The book of memory: a study of memory in medieval culture (1991)“Historically Informed” Corpus Studies (2012)Renaissance Improvisation and Musicology (2013)Thomas Campion’s “Chordal Counterpoint” and Tallis’s Famous Forty-Part Motet (2018)Medieval Music and the Art of Memory (2005)Music in the Galant Style (2007)Transforming Music Study From Its Foundations: A Manifesto for Progressive Change in the Undergraduate Preparation of Music Majors (2016)On Compositional Process in the Fifteenth Century (1987)The Cambridge History of Literary Criticism (1999)Music and rhetoric (2002)The search for musical meaning (2005)Improvisation as concept and musical practice in the fifteenth century (2015)The origins of pervasive imitation (2015)Directing Student Attention during Two-Part Dictation (1997)The Metaphor of Musical Space (2003)Schumann's a-Minor Mood (2016)Further Remarks on the Passacaglia and Ciaccona (1970)The Ripresa, the Ritornello, and the Passacaglia (1971)Handel and his Central German Background (1987)Grand Opéra vor Gericht (1993)Musical Authorship from Schütz to Bach (2019)
this work references cited by second hop

References

  • 1967Le Istitutioni Harmoniche258 cited
  • 2002Counterpoint pedagogy in the Renaissance40 cited
  • 1967Geschichte der Orgel- und Klaviermusik bis 170033 cited
  • 1969Counterpoint in Composition30 cited
  • 1974THE FANTASIA AS MUSICAL IMAGE22 cited
  • 1985Der Stilwandel in der Musik um 160020 cited
  • 2006Die venezianische Kirchenmusik von Claudio Monteverdi10 cited
  • 1982Claudio Monteverdi und seine Zeit9 cited

Cited by

  • 2017Review of Massimiliano Guido, ed.,Studies in Historical Improvisation fromCantare super LibrumtoPartimenti (Ashgate, 2017)2 cited

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