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Scientific analysis of tie luo, a Qing Dynasty calligraphy artifact in the Palace Museum, Beijing, China
16 references·0 citing·44 second hop
Scientific analysis of tie luo, a Qing Dynasty calligraphy artifact in the Palace Museum, Beijing, China (2018)Scientific analysis of tie luo, a Qing Dy…Revealing the Origin and History of Lead-White Pigments by Their Photoluminescence Properties (2017)Revealing the Origin and Hist…Characterization of Ancient Chinese Textiles by ultra-high performance liquid chromatography/quadrupole-time of flight mass spectrometry (2017)Characterization of Ancient C…Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Beyond the basics: A systemat…The identification of binding agent used in late Shang Dynasty turquoise-inlayed bronze objects excavated in Anyang (2015)The identification of binding…The study of the mural painting in the 12th century monastery of Santa Maria delle Cerrate (Puglia‐Italy): characterization of materials and techniques used (2013)The study of the mural painti…Technical investigation of 15th and 19th century Chinese paper currencies: Fiber use and pigment identification (2013)Technical investigation of 15…Pigment identification in a Greek icon by optical microscopy and infrared microspectroscopy (2011)Pigment identification in a G…A Comparative Investigation of Hydrolysis Methods to Analyze Natural Organic Dyes by HPLC-PDA - Nine Methods, Twelve Biological Sources, Ten Dye Classes, Dyed Yarns, Pigments and Paints (2011)A Comparative Investigation o…Microanalytical investigation of degradation issues in Byzantine wall paintings (2008)Microanalytical investigation…Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry (2008)Characterisation of historica…The natural constituents of historical textile dyes (2004)The natural constituents of h…Characterisation of beeswax in works of art by gas chromatography–mass spectrometry and pyrolysis–gas chromatography–mass spectrometry procedures (2004)Characterisation of beeswax i…Infrared Spectroscopy in Conservation Science (2000)Infrared Spectroscopy in Cons…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…Fading by Light of Organic Dyes on Textiles and Other Materials (1966)Fading by Light of Organic Dy…Papermaking: The History and Technique of An Ancient Craft (1943)Papermaking: The History and …The Organic Chemistry of Museum Objects (1988)Fuel for thought? 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References

  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 1943Papermaking: The History and Technique of An Ancient Craft466 cited
  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 2004The natural constituents of historical textile dyes433 cited
  • 2008Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry150 cited
  • 2016Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers127 cited
  • 2004Characterisation of beeswax in works of art by gas chromatography–mass spectrometry and pyrolysis–gas chromatography–mass spectrometry procedures125 cited
  • 2011A Comparative Investigation of Hydrolysis Methods to Analyze Natural Organic Dyes by HPLC-PDA - Nine Methods, Twelve Biological Sources, Ten Dye Classes, Dyed Yarns, Pigments and Paints68 cited
  • 2017Revealing the Origin and History of Lead-White Pigments by Their Photoluminescence Properties56 cited
  • 2013Technical investigation of 15th and 19th century Chinese paper currencies: Fiber use and pigment identification55 cited
  • 1966Fading by Light of Organic Dyes on Textiles and Other Materials49 cited
  • 2008Microanalytical investigation of degradation issues in Byzantine wall paintings38 cited
  • 2017Characterization of Ancient Chinese Textiles by ultra-high performance liquid chromatography/quadrupole-time of flight mass spectrometry

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35 cited
  • 2013The study of the mural painting in the 12th century monastery of Santa Maria delle Cerrate (Puglia‐Italy): characterization of materials and techniques used31 cited
  • 2015The identification of binding agent used in late Shang Dynasty turquoise-inlayed bronze objects excavated in Anyang29 cited
  • 2011Pigment identification in a Greek icon by optical microscopy and infrared microspectroscopy25 cited
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