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Collections, Collecting and Collectives: Gathering Heritage Data with Communities in the Mountains of Matatiele and Lesotho, Southern Africa
16 references·6 citing·40 second hop
Collections, Collecting and Collectives: Gathering Heritage Data with Communities in the Mountains of Matatiele and Lesotho, Southern Africa (2018)Collections, Collecting and Collectives: …Community-Based Archaeology (2019)Community-Based ArchaeologyThe Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017)The Oxford Handbook of the Ar…THE ‘INTERIOR WORLD’ OF THE NINETEENTH-CENTURY MALOTI-DRAKENSBERG MOUNTAINS (2017)THE ‘INTERIOR WORLD’ OF THE N…Community involvement and heritage management in rural South Africa (2017)Community involvement and her…Archaeology as Therapy: Connecting Belongings, Knowledge, Time, Place, and Well-Being (2017)Archaeology as Therapy: Conne…Reconfiguring Hunting Magic: Southern Bushman (San) Perspectives on Taming and Their Implications for Understanding Rock Art (2016)Reconfiguring Hunting Magic: …Community-based archaeology: research with, by, and for indigenous and local communities (2013)Community-based archaeology: …Working with Rock Art: Recording, presenting and understanding rock art using indigenous knowledge (2012)Working with Rock Art: Record…Creolisation on the Nineteenth-century Frontiers of Southern Africa: A Case Study of the AmaTola ‘Bushmen’ in the Maloti-Drakensberg (2012)Creolisation on the Nineteent…Afromontane foragers of the Late Pleistocene: Site formation, chronology and occupational pulsing at Melikane Rockshelter, Lesotho (2011)Afromontane foragers of the L…Envisioning San History: Problems in the Reading of History in the Rock Art of the Maloti-Drakensberg Mountains of South Africa (2010)Envisioning San History: Prob…Archaeology and Capitalism: From Ethics to Politics (2008)Archaeology and Capitalism: F…“Animism” Revisited (1999)“Animism” RevisitedQuanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research (1998)Quanto?: The Issue of 'Many M…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. 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References

  • 1999“Animism” Revisited1,093 cited
  • 2013Community-based archaeology: research with, by, and for indigenous and local communities464 cited
  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 2019Community-Based Archaeology332 cited
  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought269 cited
  • 2017The Oxford Handbook of the Archaeology and Anthropology of Rock Art227 cited
  • 2008Archaeology and Capitalism: From Ethics to Politics216 cited
  • 2017Archaeology as Therapy: Connecting Belongings, Knowledge, Time, Place, and Well-Being91 cited
  • 1998Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research90 cited
  • 2011Afromontane foragers of the Late Pleistocene: Site formation, chronology and occupational pulsing at Melikane Rockshelter, Lesotho89 cited
  • 2016Reconfiguring Hunting Magic: Southern Bushman (San) Perspectives on Taming and Their Implications for Understanding Rock Art87 cited
  • 2012Creolisation on the Nineteenth-century Frontiers of Southern Africa: A Case Study of the AmaTola ‘Bushmen’ in the Maloti-Drakensberg85 cited
  • 2010Envisioning San History: Problems in the Reading of History in the Rock Art of the Maloti-Drakensberg Mountains of South Africa38 cited
  • 2017THE ‘INTERIOR WORLD’ OF THE NINETEENTH-CENTURY MALOTI-DRAKENSBERG MOUNTAINS

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21 cited
  • 2012Working with Rock Art: Recording, presenting and understanding rock art using indigenous knowledge21 cited
  • 2017Community involvement and heritage management in rural South Africa20 cited
  • Cited by

    • 2022‘Things of the outside teach me’: identity transfer and contextual transformation as expressions of persistent, syncretic cosmology in traditional spiritual and medicinal practice in the south-central Maloti-Drakensberg, southern Africa9 cited
    • 2018The Matatiele Archaeology and Rock Art (MARA) Program Excavations: The Archaeology of Mafusing 1 Rock Shelter, Eastern Cape, South Africa6 cited
    • 2017Concerning Heritage: Lessons from Rock Art Management in the Maloti-Drakensberg Park World Heritage Site5 cited
    • 2025Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa4 cited
    • 2024Digitalization, Cultural Production, Exchange, and Consumption4 cited
    • 2024Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation3 cited