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Improvisation as devotion: nāgasvaram music and ritual communication in Hindu temple festival processions
16 references·0 citing·25 second hop
Improvisation as devotion: nāgasvaram music and ritual communication in Hindu temple festival processions (2018)Improvisation as devotion: nāgasvaram mus…Homo Ritualis (2016)Homo RitualisThe Voice in the Drum (2014)The Voice in the DrumLanguage, Music and Interaction (2013)Language, Music and Interacti…Creativity : the psychology of discovery and invention (2013)Creativity : the psychology o…Musical improvisation: art, education, and society (2010)Musical improvisation: art, e…Time, Gesture and Attention in a Khyāl Performance (2007)Time, Gesture and Attention i…The Camphor Flame (2004)The Camphor FlameCultural Constructions of Improvisation in Tayampaka, a Genre of Temple Instrumental Music in Kerala, India (1999)Cultural Constructions of Imp…Art And Agency (1998)Art And AgencyRitual (1997)RitualUnderstanding Mantras (1992)Understanding MantrasRitual in an Oscillating Universe (1991)Ritual in an Oscillating Univ…Saints, goddesses, and kings: Muslims and Christians in South Indian Society, 1700-1900 (1990)Saints, goddesses, and kings:…Flow: the psychology of optimal experience (1990)Flow: the psychology of optim…Rules Without Meaning: Ritual, Mantras and the Human Sciences (1989)Rules Without Meaning: Ritual…The Analysis of Raga Alapana in South Indian Music (1977)The Analysis of Raga Alapana …Group Identification and Historical Memory (2007)The cultural morphospace of ritual form (2010)Stick to the script: The effect of witnessing multiple actors on children’s imitation (2013)Subjective well-being: Three decades of progress. (1999)The role of positive emotions in positive psychology: The broaden-and-build theory of positive emotions. (2001)The benefits of being present: Mindfulness and its role in psychological well-being. (2003)Love, Violence, and the Aesthetics of Disgust: Śaivas and Jains in Medieval South India (2004)The Ascetic Self (2004)Recipes for Immortality (2009)Mapping ‘new’ geographies of religion: politics and poetics in modernity (2001)Introduction (2006)Trade, Institutions, and Ethnic Tolerance: Evidence from South Asia (2013)The Importance of Domain-Specific Expertise in Creativity (2015)A triangular theory of creativity. (2016)Everyday creative activity as a path to flourishing (2016)Hindu Monotheism (2020)Materialism and Life Satisfaction: The Role of Religion (2013)Mapping India’s regional subcultures: Implications for international management (2015)The Content and Correlates of Belief in Karma Across Cultures (2018)The cultural biography of objects (1999)Reading the Past (2003)THE EMERGENCE OF MULTISPECIES ETHNOGRAPHY (2010)Ritual and Its Consequences (2008)Formal Dining at Cambridge Colleges: Linking Ritual Performance and Institutional Maintenance (2010)The Psychology of Rituals: An Integrative Review and Process-Based Framework (2017)
this work references cited by second hop

References

  • 1990Flow: the psychology of optimal experience12,637 cited
  • 1998Art And Agency3,452 cited
  • 1997Ritual1,245 cited
  • 2013Creativity : the psychology of discovery and invention405 cited
  • 1990Saints, goddesses, and kings: Muslims and Christians in South Indian Society, 1700-1900378 cited
  • 1989Rules Without Meaning: Ritual, Mantras and the Human Sciences192 cited
  • 2004The Camphor Flame155 cited
  • 1991Ritual in an Oscillating Universe99 cited
  • 2014The Voice in the Drum87 cited
  • 2016Homo Ritualis67 cited
  • 2007Time, Gesture and Attention in a Khyāl Performance59 cited
  • 2010Musical improvisation: art, education, and society55 cited
  • 2013Language, Music and Interaction55 cited
  • 1977The Analysis of Raga Alapana in South Indian Music48 cited
  • 1992Understanding Mantras40 cited
  • 1999Cultural Constructions of Improvisation in Tayampaka, a Genre of Temple Instrumental Music in Kerala, India38 cited

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