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Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations
16 references·1 citing·43 second hop
Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations (2018)Popular Music, Stars and Stardom: Definit…Understanding Popular Music Culture (2016)Understanding Popular Music C…Stardom and Talent (2016)Stardom and TalentUnderstanding Celebrity (2014)Understanding CelebritySociety, Culture, and Person: A Systems View of Creativity (2014)Society, Culture, and Person:…A Short History of Celebrity (2010)A Short History of CelebrityThe Economics of Superstars (2009)The Economics of SuperstarsRe-Examining Stardom: Questions of Texts, Bodies and Performance (2007)Re-Examining Stardom: Questio…Stardom (2003)StardomAuthenticity as authentication (2002)Authenticity as authenticationReconsidering rock (2001)Reconsidering rockMaking Popular Music: Musicians, Creativity and Institutions (2000)Making Popular Music: Musicia…Fame Games: The Production of Celebrity in Australia (2000)Fame Games: The Production of…Celebrity and power: fame in contemporary culture (1997)Celebrity and power: fame in …The imaginary museum of musical works: an essay in the philosophy of music (1993)The imaginary museum of music…The image : a guide to pseudo-events in America (1992)The image : a guide to pseudo…Heavenly bodies: Film stars and society (1988)Heavenly bodies: Film stars a…The me you see: The creative identity as constructed in music documentaries (2022)The me you see: The creative …Creativity. (1950)The Structure of Scientific Revolutions (1963)The Social Psychology of Creativity (1983)Investing in creativity. (1996)When Collections of Creatives Become Creative Collectives: A Field Study of Problem Solving at Work (2006)Rethinking Giftedness and Gifted Education (2011)An Economic Theory of Clubs (1965)Hedonic Prices and Implicit Markets: Product Differentiation in Pure Competition (1974)Schooling, Experience, and Earnings (1974)Herd Behavior and Investment (1988)Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)Top Incomes in the Long Run of History (2011)The Presentation of Self in Everyday Life. (1956)The Long Revolution (1961)Gender Trouble: Feminism and the Subversion of Identity (1991)Celebrity Politicians: Popular Culture and Political Representation (2004)Celebrity capital: redefining celebrity using field theory (2013)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)Bandwagon, Snob, and Veblen Effects in the Theory of Consumers' Demand (1950)Information, Blockbusters and Stars? A Study of the Film Industry (1997)The Power of Stars: Do Star Actors Drive the Success of Movies? (2007)De gustibus non est disputandum (2010)Changing Their Tune: How Consumers' Adoption of Online Streaming Affects Music Consumption and Discovery (2017)Tourist motivation an appraisal (1981)Exploring the essence of memorable tourism experiences (2011)To See and Be Seen: Celebrity Practice on Twitter (2011)`Being Yourself': The Pursuit of Authentic Celebrity (2001)“I feel your pain”: cosmopolitan charity and the public fashioning of the celebrity soul (2008)The celebritization of society and culture: Understanding the structural dynamics of celebrity culture (2012)Persona as method: exploring celebrity and the public self through persona studies (2015)#familygoals: Family Influencers, Calibrated Amateurism, and Justifying Young Digital Labor (2017)Celebrity influences on consumer decision making: new insights and research directions (2019)The End of Early Music (2007)I Did It My Way: Rock and the Logic of Covers (2010)The Oxford Handbook of The American Musical (2011)Classification as Culture: Types and Trajectories of Music Genres (2008)Looking for work in creative industries policy (2009)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)
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References

  • 1992The image : a guide to pseudo-events in America2,821 cited
  • 2009The Economics of Superstars1,684 cited
  • 2014Society, Culture, and Person: A Systems View of Creativity1,289 cited
  • 1997Celebrity and power: fame in contemporary culture1,195 cited
  • 1993The imaginary museum of musical works: an essay in the philosophy of music598 cited
  • 2002Authenticity as authentication485 cited
  • 1988Heavenly bodies: Film stars and society458 cited
  • 2016Stardom and Talent389 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 2014Understanding Celebrity299 cited
  • 2000Fame Games: The Production of Celebrity in Australia196 cited
  • 2003Stardom191 cited
  • 2001Reconsidering rock144 cited
  • 2010A Short History of Celebrity117 cited
  • 2007Re-Examining Stardom: Questions of Texts, Bodies and Performance116 cited
  • 2016Understanding Popular Music Culture103 cited

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  • 2022

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The me you see: The creative identity as constructed in music documentaries
4 cited