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Beyond the Gilded Stage: Operatic Maestri and Instrumental Music in Late Eighteenth-Century Naples
16 references·1 citing·33 second hop
Beyond the Gilded Stage: Operatic Maestri and Instrumental Music in Late Eighteenth-Century Naples (2018)Beyond the Gilded Stage: Operatic Maestri…Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples (2016)Opera, Theatrical Culture and…The Heartz: A Galant Schema from Corelli to Mozart (2014)The Heartz: A Galant Schema f…ROME (2014)ROMEThe Art of Partimento: History, Theory, and Practice (2012)The Art of Partimento: Histor…Partimento and Continuo Playing in Theory and in Practice (2010)Partimento and Continuo Playi…The Cambridge Companion to Eighteenth-Century Opera (2009)The Cambridge Companion to Ei…The Realization of Partimenti (2007)The Realization of PartimentiThe Early Reception of Neapolitan Partimento Theory in France (2007)The Early Reception of Neapol…Music in the Galant Style (2007)Music in the Galant StyleNaples in the Eighteenth Century: The Birth and Death of a Nation State (2002)Naples in the Eighteenth Cent…The Earliest Italian Keyboard Concertos (1986)The Earliest Italian Keyboard…H. C. Koch, the Classic Concerto, and the Sonata-Form Retransition (1983)H. C. Koch, the Classic Conce…Theme, Harmony, and Texture in Classic-Romantic Descriptions of Concerto First-Movement Form (1974)Theme, Harmony, and Texture i…Naples and Neapolitan Opera (1974)Naples and Neapolitan OperaVersuch einer Anleitung zur Composition (1969)Versuch einer Anleitung zur C…Musical education in Europe (1770 - 1914) ; compositional, institutional and political challengesMusical education in Europe (…Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture (2020)Instrumental Music in Late Ei…Rivista Musicale Italiana (1897)'The Sonata in the Classic Era' (1964)Versuch Einer Anweisung die Flote Traversiere Zu Spielen (1993)The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto (2000)Follow the Solo: The Formal Evolution of the Concerto in the Eighteenth-Century (2022)How Sonata Forms (2022)An Essay on Practical Musical Composition, According to the Nature of That Science and the Principles of the Greatest Musical Authors (1974)Classic Music: Expression, Form, and Style (1981)Cours de composition musicale (1909)A History of Western Music (1960)On Playing the Flute (1966)Concerto of the individual (2009)‘THE TRUE FUNDAMENTALS OF COMPOSITION’: HAYDN'S PARTIMENTO COUNTERPOINT (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)Susanna’s “Deh vieni” (2018)The Volta: A Galant Gesture of Culmination (2020)THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK (2015)Gjerdingen’s Schemata Reexamined (2018)Haydn, Laurence Sterne, and the Origins of Musical Irony (1991)Cadential processes: The evaded cadence and the “one more time” technique (1992)Classical and Romantic Performing Practice (2025)Musical and Dramatic Structure in the Opera Buffa Finale (1989)Female operatic cross-dressing: Bernardo Saddumene's libretto for Leonardo Vinci's Li zite 'n galera (1722) (1998)Unmanageable opera? The artistic-economic dichotomy and its manifestations in the organisational structures of five opera organisations (2000)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)Bach à Berlin en 1829: une « redécouverte »? (2007)Miscellany and Collegiality in the British Periodical Press: TheHarmonicon(1823–1833) (2012)Music Theory Pedagogy in the Nineteenth Century (2022)Gregorian Influences in French Organ Music before the "Motu proprio" (1974)The Philosopher’s Beard: Women and Gender in Science (2003)The Polyphonic Mass in France, 1600–1780 (2017)
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References

  • 2007Music in the Galant Style435 cited
  • 1969Versuch einer Anleitung zur Composition245 cited
  • 2012The Art of Partimento: History, Theory, and Practice59 cited
  • n.d.Musical education in Europe (1770 - 1914) ; compositional, institutional and political challenges52 cited
  • 1974Theme, Harmony, and Texture in Classic-Romantic Descriptions of Concerto First-Movement Form43 cited
  • 2014The Heartz: A Galant Schema from Corelli to Mozart41 cited
  • 2014ROME40 cited
  • 1983H. C. Koch, the Classic Concerto, and the Sonata-Form Retransition33 cited
  • 1986The Earliest Italian Keyboard Concertos24 cited
  • 1974Naples and Neapolitan Opera24 cited
  • 2002Naples in the Eighteenth Century: The Birth and Death of a Nation State24 cited
  • 2010Partimento and Continuo Playing in Theory and in Practice15 cited
  • 2007The Realization of Partimenti15 cited
  • 2016Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples13 cited
  • 2007The Early Reception of Neapolitan Partimento Theory in France13 cited
  • 2009The Cambridge Companion to Eighteenth-Century Opera

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  • 2020Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture2 cited