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“ Mi disquera no es Sony, mi disquera es la gente ”. Processus hégémoniques et contre-hégémoniques dans l’industrie musicale latino de Miami
13 references·0 citing·38 second hop
“ Mi disquera no es Sony, mi disquera es la gente ”. Processus hégémoniques et contre-hégémoniques dans l’industrie musicale latino de Miami (2018)“ Mi disquera no es Sony, mi disquera es …Politiques des musiques populaires au XXIe siècle (2016)Politiques des musiques popul…Miami la cubaine (2015)Miami la cubaineCréativité, globalisation et musique (2014)Créativité, globalisation et …Ce que les cultural studies font aux savoirs disciplinaires (2013)Ce que les cultural studies f…Politiques de l’authenticité (2008)Politiques de l’authenticitéLes groupes de communication ibéro-américains à l'heure de la convergence (2005)Les groupes de communication …La constitution des pôles des industries de la culture et de la communication (2005)La constitution des pôles des…Musique, politique et sécularisation (2004)Musique, politique et sécular…The Expediency of Culture (2003)The Expediency of CultureMiami in the Transnationalization of the Telenovela Industry: On Territoriality and Globalization (2002)Miami in the Transnationaliza…Mainstreaming: from hegemonic centre to global networks (2002)Mainstreaming: from hegemonic…The Latin Tinge (1999)The Latin TingeGlobal logics in the Caribbean city system: the case of Miami (1995)Global logics in the Caribbea…Global culture: Nationalism, globalization and modernity (1991)Culture, Power, Place (1997)Modernity at Large: Cultural Dimensions of Globalization. (1998)MakingGüeras: Selling white identities on late-night Mexican television (2005)Rebel love: transnational teen TV vs. Mexican telenovela tradition (2013)Will It Travel? The Local Vs. Global Tug-of-war for Telenovela and Turkish Dizi Producers (2021)La distinction, critique sociale du jugement (1980)The Political Unconscious: Narrative as a Socially Symbolic Act (1982)The Political Unconscious: Narrative as a Socially Symbolic Act (1983)Musique noire (2010)Jalons pour une géographie de la danse (2015)Chanter les territoires Sámi dans un monde plus-qu’humain (2017)Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)On Musical Mediation: Ontology, Technology and Creativity (2005)The Global City (2013)Ethnomusicology of the Creative Process (2021)After Method (2004)The Affect Theory Reader (2010)The Promise of Happiness (2010)De la recherche en communication : matérialité, critique et idéologie(s) (2016)« Mon dépanneur est vietnamien » ou les stéréotypes à la rescousse de la communication interculturelle dans le contexte du Québec (2018)Special Section: Transnational Public Sphere: Transnationalizing the Public Sphere (2007)Ethnographies of Neoliberalism (2010)The Global Right Wing and the Clash of World Politics (2012)La diversité culturelle. une approche communicationnelle (2008)Le journalisme au prisme du genre : une problématique féconde (2009)Theorizing the Cultural Industries: Persistent Specificities and Reconsiderations (2011)A prescribed alternative mainstream: popular music and canon formation (2006)Have you ever seen theRain? And who’ll stop theRain?: the globalizing project of Korean pop (K‐pop) (2009)Concentration, diversity, and consequences: Privileging independent over major record labels (2018)Beyond world cities: Central America in a global space of flows (2002)Airline data for global city network research: reviewing and refining existing approaches (2008)Global capital control and city hierarchies: an attempt to reposition Vienna in a world city network (2009)La transnationalisation de l’industrie musicale de Miami (2018)Havana's Transnational Gentrification: Highest and Best Use from Elsewhere (2023)Whiteness and the Performance of Race in American Ballroom Dance (2007)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)
this work references cited by second hop

References

  • 2003The Expediency of Culture1,045 cited
  • 1999The Latin Tinge103 cited
  • 2002Mainstreaming: from hegemonic centre to global networks59 cited
  • 1995Global logics in the Caribbean city system: the case of Miami47 cited
  • 2013Ce que les cultural studies font aux savoirs disciplinaires38 cited
  • 2005La constitution des pôles des industries de la culture et de la communication28 cited
  • 2008Politiques de l’authenticité25 cited
  • 2002Miami in the Transnationalization of the Telenovela Industry: On Territoriality and Globalization19 cited
  • 2015Miami la cubaine16 cited
  • 2014Créativité, globalisation et musique10 cited
  • 2005Les groupes de communication ibéro-américains à l'heure de la convergence8 cited
  • 2016Politiques des musiques populaires au XXIe siècle5 cited
  • 2004Musique, politique et sécularisation5 cited

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