SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Roteiros, Propostas e Estratégias: por uma poética mosaica da Improvisação Livre.
8 references·0 citing·27 second hop
Roteiros, Propostas e Estratégias: por uma poética mosaica da Improvisação Livre. (2018)Roteiros, Propostas e Estratégias: por um…Du concept d’improvisation à la pratique de l’improvisation libre (2016)Du concept d’improvisation à …Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Education, and Society (2013)Improvisation, Creativity, an…Music Theory Through Improvisation: A New Approach to Musicianship Training (2009)Music Theory Through Improvis…“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers (2008)“What I Call a Sound”: Anthon…Spontaneous music : the first generation British free improvisers (2007)Spontaneous music : the first…An Interview with Fred Frith: The Teaching of Contemporary Improvisation (2007)An Interview with Fred Frith:…Negotiating Freedom: Values and Practices in Contemporary Improvised Music (2002)Negotiating Freedom: Values a…Improvised Music after 1950: Afrological and Eurological Perspectives (2002)Improvised Music after 1950: …Noise, the Political Economy of Music (1989)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Thinking in jazz: the infinite art of improvisation (1995)Storytelling in jazz improvisation: Implications of a rich intermedial metaphor (2014)What About Their Performance Do Free Jazz Improvisers Agree Upon? A Case Study (2017)Rehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work (2018)Improvisation: Its Nature And Practice In Music (1980)Whiteness as Property (1993)Choreographies of Gender (1998)Classification as Culture: Types and Trajectories of Music Genres (2008)For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn (2010)Silence : lectures and writings (2011)Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing. (1996)The Man Who Tasted Shapes (2003)SAY NO SCORE: A LEXICAL IMPROVISATION AFTER BOB OSTERTAG (2017)Improvisation and Collaboration in Anthony Braxton’sComposition 76 (2018)Serpent in the sky : the high wisdom of Ancient Egypt (1979)Teaching for Musical Understanding (2000)Mindfulness for singers: The effects of a targeted mindfulness course on learning vocal technique (2015)Equity and Music Education: Euphemisms, Terminal Naivety, and Whiteness (2017)The Aims of Education (1929) (2017)Negotiating individuality and collectivity in community music. A qualitative case study (2018)Liveness and the machine: improvisation in live audio-visual performance (2011)Improvisatory Exercises as Analytical Tool (2019)Learning From the Experts (2014)A national survey of music education majors’ confidence in teaching improvisation (2015)The potential of a mixed-methods approach for research on learning to theorise music (2021)
this work references cited by second hop

References

  • 2002Improvised Music after 1950: Afrological and Eurological Perspectives305 cited
  • 2002Negotiating Freedom: Values and Practices in Contemporary Improvised Music101 cited
  • 2013Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Education, and Society33 cited
  • 2009Music Theory Through Improvisation: A New Approach to Musicianship Training21 cited
  • 2008“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers12 cited
  • 2007Spontaneous music : the first generation British free improvisers7 cited
  • 2007An Interview with Fred Frith: The Teaching of Contemporary Improvisation5 cited
  • 2016Du concept d’improvisation à la pratique de l’improvisation libre3 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work