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Towards witnessed thirdness in actor training and performance
16 references·0 citing·31 second hop
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this work references cited by second hop

References

  • 2002Phenomenology of Perception4,270 cited
  • 2010In Defense of Things: Archaeology and the Ontology of Objects641 cited
  • 1992Pragmatist Aesthetics: Living Beauty, Rethinking Art284 cited
  • 2013Immersive Theatres236 cited
  • 2021Games for Actors and Non-Actors228 cited
  • 2018Beyond doer and done to: Recognition theory, intersubjectivity, and the third191 cited
  • 2008Psychophysical Acting: An Intercultural Approach after Stanislavski153 cited
  • 2013Audience Participation in Theatre153 cited
  • 2013Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre145 cited
  • 2000Pragmatist Aesthetics118 cited
  • 1970Bodies in Revolt: A Primer in Somatic Thinking78 cited
  • 2016Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance58 cited
  • 2004Somatic Psychology: Body, Mind and Meaning51 cited
  • 2009Movement Training for the Modern Actor47 cited
  • 2014Dance, somatics and spiritualities : contemporary sacred narratives24 cited
  • 2016Physical Theatres24 cited

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