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USING DELEUZE: THE CINEMA BOOKS, FILM STUDIES AND EFFECT
16 references·1 citing·32 second hop
USING DELEUZE: THE CINEMA BOOKS, FILM STUDIES AND EFFECT (2006)USING DELEUZE: THE CINEMA BOOKS, FILM STU…New Vocabularies in Film Semiotics (2005)New Vocabularies in Film Semi…The Idea of the Postmodern (2003)The Idea of the PostmodernA Poetics of Postmodernism (2003)A Poetics of PostmodernismThe skin of the film: intercultural cinema, embodiment, and the senses (2000)The skin of the film: intercu…Reinventing film studies (2000)Reinventing film studiesThe Female Gaze: Women As Viewers of Popular Culture (1991)The Female Gaze: Women As Vie…A Thousand Plateaus: Capitalism and Schizophrenia (1989)A Thousand Plateaus: Capitali…Film theory: an introduction (1988)Film theory: an introductionCinema 1: The Movement-Image (1987)Cinema 1: The Movement-ImageGramsci's Relevance for the Study of Race and Ethnicity (1986)Gramsci's Relevance for the S…Theory of Film Practice (1981)Theory of Film PracticeA History of Narrative Film (1980)A History of Narrative FilmThe Logic of Sense (1969)The Logic of SenseWhat is cinema (1967)What is cinemaTHEORY OF FILM: The Redemption of Physical Reality (1965)THEORY OF FILM: The Redemptio…Film Form: Essays in Film Theory (1949)Film Form: Essays in Film The…Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos (2020)Becoming-Animal in the Narrat…The Fame of Gawa: A Symbolic Study of Value Transformation in a Massim (Papua New Guinea) Society (1989)On Collective Memory (1992)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Discourse Analysis as Theory and Method (2002)The Practice Turn in Contemporary Theory (2005)3.2. MARXISM AND LITERATURE (2006)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)Twelve Fallacies in Contemporary Adaptation Theory (2003)Intensities of feeling: towards a spatial politics of affect (2004)The Oxford history of world cinema (1997)The Close-Up: Scale and Detail in the Cinema (2003)Villains, Victims and Heroes: Melodrama, Media, and September 11 (2005)Culture, Globalization, Mediation (2004)Body, Image and Affect in Consumer Culture (2010)On Touching—the Inhuman That Therefore I Am (2012)New Materialism: Interviews & Cartographies (2012)Researching without representation? Language and materiality in post-qualitative methodology (2013)What is co-creation? An interactional creation framework and its implications for value creation (2017)Critical frames in educational research: Feminist and post‐structural perspectives (1992)Postmodernity: The age of marketing (1993)Methodology of the Oppressed (2010)Affecting Geospatial Technologies: Toward a Feminist Politics of Emotion* (2007)LOOKING FOR M— (2009)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)New Keywords: Migration and Borders (2014)National Identity, Popular Culture and Everyday Life (2020)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Black and White: Mercedes de Acosta's Glorious Enthusiasms (2001)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)
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References

  • 1989A Thousand Plateaus: Capitalism and Schizophrenia22,694 cited
  • 2003A Poetics of Postmodernism2,147 cited
  • 1986Gramsci's Relevance for the Study of Race and Ethnicity1,616 cited
  • 2000The skin of the film: intercultural cinema, embodiment, and the senses1,527 cited
  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 1969The Logic of Sense1,213 cited
  • 1949Film Form: Essays in Film Theory878 cited
  • 1987Cinema 1: The Movement-Image691 cited
  • 2000Reinventing film studies635 cited
  • 1967What is cinema602 cited
  • 1988Film theory: an introduction391 cited
  • 1991The Female Gaze: Women As Viewers of Popular Culture312 cited
  • 2003The Idea of the Postmodern295 cited
  • 2005New Vocabularies in Film Semiotics289 cited
  • 1981Theory of Film Practice254 cited
  • 1980A History of Narrative Film229 cited

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  • 2020Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos

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5 cited