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An Octatonic History of Prokofiev’s Compositional Oeuvre
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An Octatonic History of Prokofiev’s Compositional Oeuvre (2018)An Octatonic History of Prokofiev’s Compo…Making it Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music (2016)Making it Modern: Chromaticis…The Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory (2014)The Expansion of the Concept …Rethinking Octatonicism (2012)Rethinking OctatonicismCatching Up with Rimsky-Korsakov (2011)Catching Up with Rimsky-Korsa…The Quiet Revolution of a B Natural: Prokofiev's ‘New Simplicity’ in the Second Violin Concerto (2009)The Quiet Revolution of a B N…Elements of Sonata Theory (2006)Elements of Sonata TheoryElements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…A Theory of Motives for Prokofiev's Music (2004)A Theory of Motives for Proko…Stravinsky and the Octatonic: A Reconsideration (2002)Stravinsky and the Octatonic:…On Ruslan and Russianness (1997)On Ruslan and RussiannessStravinsky and the Russian Traditions (1996)Stravinsky and the Russian Tr…Russian theorists on modality in Shostakovich's music (1995)Russian theorists on modality…Musorgsky (1993)MusorgskyProkofiev's Technique of Chromatic Displacement (1988)Prokofiev's Technique of Chro…Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Chernomor to Kashchei: Harmon…Problems of Pitch Organization in Stravinsky (1963)Problems of Pitch Organizatio…Schenker's "Motivic Parallelisms" (1978)The Autonomy of Motives in Schenkerian Accounts of Tonal Music (1992)Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994)Music behind the Iron Curtain (2019)The Technique of My Musical Language (1957)Poetics of Music in the Form of Six Lessons (1970)Basic atonal theory (1980)The Quest for the Origins of Music in Germany Circa 1900 (2000)Hugo Riemann and the Birth of Modern Musical Thought (2003)Virtuosity and the Musical Work (2003)Expositions and Developments (1962)The Cambridge Companion to the Symphony (2013)The Viennese symphony 1750 to 1827 (2013)Special Collections (2016)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Metric Cubes in Some Music of Brahms (2009)Cadential Intervention in S hostakovich's Piano Trio in E minor, Op. 67 (2013)Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress" (1997)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)Building Blocks: Repetition and Continuity in the Music of Stravinsky (2012)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Extraordinary Measures (2011)Scale Networks and Debussy (2004)Gestural Imaginaries (2019)Boris Godunov and the Terrorist (2017)Prokofiev's Soviet Operas (2019)Topic Theory in Soviet Musicology (2022)
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References

  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1996Stravinsky and the Russian Traditions306 cited
  • 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
  • 1963Problems of Pitch Organization in Stravinsky127 cited
  • 2011Catching Up with Rimsky-Korsakov99 cited
  • 2002Stravinsky and the Octatonic: A Reconsideration78 cited
  • 1988Prokofiev's Technique of Chromatic Displacement32 cited
  • 2004A Theory of Motives for Prokofiev's Music27 cited
  • 1993Musorgsky21 cited
  • 2012Rethinking Octatonicism16 cited
  • 1995Russian theorists on modality in Shostakovich's music15 cited
  • 2014The Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory11 cited
  • 2009The Quiet Revolution of a B Natural: Prokofiev's ‘New Simplicity’ in the Second Violin Concerto10 cited
  • 1997On Ruslan and Russianness6 cited
  • 2016Making it Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music

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