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Re-Examining the “What is Manga” Problematic: The Tension and Interrelationship between the “Style” Versus “Made in Japan” Positions
14 references·1 citing·39 second hop
Re-Examining the “What is Manga” Problematic: The Tension and Interrelationship between the “Style” Versus “Made in Japan” Positions (2018)Re-Examining the “What is Manga” Problema…Pow, Punch, Pika, and Chu: The Structure of Sound Effects in Genres of American Comics and Japanese Manga (2016)Pow, Punch, Pika, and Chu: Th…The vocabulary of manga: Visual morphology in dialects of Japanese Visual Language (2015)The vocabulary of manga: Visu…Pop-culture diplomacy in Japan: soft power, nation branding and the question of ‘international cultural exchange’ (2015)Pop-culture diplomacy in Japa…Manga's Cultural Crossroads (2014)Manga's Cultural CrossroadsConsidering Manga Discourse: Location, Ambiguity, Historicity (2014)Considering Manga Discourse: …The Soul of Anime (2013)The Soul of AnimeDid manga conquer America? Implications for the cultural policy of ‘Cool Japan’ (2013)Did manga conquer America? Im…Comics and Narration (2013)Comics and NarrationA brand new future? Cool Japan and the social imaginary of the branded nation (2013)A brand new future? Cool Japa…Anime's Media Mix (2012)Anime's Media MixBooks, Not Comics: Publishing Fields, Globalization, and Japanese Manga in the United States (2009)Books, Not Comics: Publishing…A Comics Studies Reader (2008)A Comics Studies ReaderGoth (2002)GothFive Faces of Oppression (1988)Five Faces of OppressionLooking into the “Anime Global Popular” and the “Manga Media”: Reflections on the Scholarship of a Transnational and Transmedia Industry (2019)Looking into the “Anime Globa…Bound to lead: the changing nature of American power (1990)Soft Power: The Means to Success in World Politics (2004)“Orientalism - Western Conceptions of the Orient” (2012)Entertainment media, cultural power, and post-globalization: The case of China’s international media expansion and the discourse of soft power (2016)Repackaging national identity: Cool Japan and the resilience of Japanese identity narratives (2019)Consumer nationalism in digital space: A case study of the 2017 anti-lotte boycott in China (2022)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Reassembling the Social (2005)Reassembling the social: An introduction to actor‐network‐theory (2008)Circulating social imaginaries: Theoretical and methodological reflections (2013)Branding South Korea in a Competitive World Order: Discourses and Dispositives in Neoliberal Governmentality (2016)Creative arts workers during the Covid-19 pandemic: Social imaginaries in lockdown (2021)The contemporary theory of metaphor (1993)Understanding Comics: The Invisible Art (1998)The way we think: conceptual blending and the mind's hidden complexities (2002)A Picture is Worth More Words Over Time: Multimodality and Narrative Structure Across Eight Decades of American Superhero Comics (2017)Combinatorial Morphology in Visual Languages (2018)Multimodal Discourse: The Modes and Media of Contemporary Communication (2001)Literature in the expanded field: intermediality at the crossroads of literary theory and comparative literature (2015)Facial expressions in comics: an empirical consideration of McCloud’s proposal (2018)On the track of visual style: a diachronic study of page composition in comics and its functional motivation (2019)Friendship as Method (2003)Racial literacy in a second‐grade classroom: Critical race theory, whiteness studies, and literacy research (2006)Framework for integrating indigenous and scientific knowledge for disaster risk reduction (2009)In Defence of Subculture: Young People, Leisure and Social Divisions (2006)Subculture Theory: An Historical and Contemporary Assessment of the Concept for Understanding Deviance (2014)Why alternative teenagers self-harm: exploring the link between non-suicidal self-injury, attempted suicide and adolescent identity (2014)“First Principles” of Animation (2014)Animating the Instant (2014)Regional tv: Affective Media Geographies (2015)Maid Cafés: The Affect of Fictional Characters in Akihabara, Japan (2013)Transnational cult and/as neoliberalism: the liminal economies of anime fansubbers (2016)Virtually girlfriends: ‘emergent femininity’ and the women who buy virtual loving services in China (2020)Comics, Graphic Novels, Graphic Narrative: A Review (2011)E-Graphic Novels (2018)The Cambridge History of the Graphic Novel (2018)Introduction: court culture, women, and the rise of vernacular literature (2015)The Cambridge History of Japanese Literature (2015)The rise of haikai: Matsuo Bashō, Yosa Buson, and Kobayashi Issa (2015)
this work references cited by second hop

References

  • 1988Five Faces of Oppression686 cited
  • 2012Anime's Media Mix407 cited
  • 2002Goth327 cited
  • 2013Comics and Narration241 cited
  • 2015Pop-culture diplomacy in Japan: soft power, nation branding and the question of ‘international cultural exchange’156 cited
  • 2013The Soul of Anime134 cited
  • 2013A brand new future? Cool Japan and the social imaginary of the branded nation80 cited
  • 2014Manga's Cultural Crossroads75 cited
  • 2015The vocabulary of manga: Visual morphology in dialects of Japanese Visual Language60 cited
  • 2008A Comics Studies Reader57 cited
  • 2009Books, Not Comics: Publishing Fields, Globalization, and Japanese Manga in the United States40 cited
  • 2016Pow, Punch, Pika, and Chu: The Structure of Sound Effects in Genres of American Comics and Japanese Manga29 cited
  • 2014Considering Manga Discourse: Location, Ambiguity, Historicity28 cited
  • 2013Did manga conquer America? Implications for the cultural policy of ‘Cool Japan’26 cited

Cited by

  • 2019Looking into the “Anime Global Popular” and the “Manga Media”: Reflections on the Scholarship of a Transnational and Transmedia Industry12 cited

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