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The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
11 references·0 citing·36 second hop
The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun (2007)The Pastoral After Environmentalism: Natu…Adorno, Theodor W. (2006)Adorno, Theodor W.The Oxford history of western music (2004)The Oxford history of western…Eco-ing in the Canyon: Ferde Grofè's Grand Canyon Suite and the Transformation of Wilderness (2004)Eco-ing in the Canyon: Ferde …Webern and the Transformation of Nature (2000)Webern and the Transformation…The Environmental Imagination (1996)The Environmental ImaginationAgainst Nature: The Concept of Nature in Critical Theory (1996)Against Nature: The Concept o…Adorno's aesthetics of music (1994)Adorno's aesthetics of musicPostmodernism, narrativity, and the art of memory (1993)Postmodernism, narrativity, a…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…The Living Work: Organicism and Musical Analysis (1980)The Living Work: Organicism a…The Country and the City (1973)The Country and the CityAdorno's Aesthetics of Music (1993)Contextual Factors and the Extreme Right Vote in Western Europe, 1980–2002 (2009)Personality and Political Attitudes: Relationships across Issue Domains and Political Contexts (2010)Hierarchy: The Economics of Managing (2016)The Thematic Process in Music (1951)The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1954)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Autonomy of Motives in Schenkerian Accounts of Tonal Music (1992)Metaphor and music (2008)The Historical Roots of Our Ecologic Crisis (1967)The Fatal Environment: The Myth of the Frontier in the Age of Industrialization, 1800-1890 (1985)The Significance of the Frontier in American History (2007)THE ALPS AND THEALPINE SYMPHONY, AND ENVIRONMENTALISM: SEARCHING FOR CONNECTIONS (2011)Ecomusicology, Music Studies, and the IASPM: Beyond “Epistemic Inertia” (2013)Nature’s Voice in Crumb’sAn Idyll for the Misbegotten (2017)Defining the Term 'Absolute Music' Historically (2009)Musicking Bodies: Gesture and Voice in Hindustani Music (2012)Value Creation and Knowledge Loss: The Case of Cremonese Stringed Instruments (2012)Theory in Anthropology since the Sixties (1984)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Methodology of the Oppressed (2010)Proclaiming the mainstream: Schoenberg, Berg, and Webern (2004)Gustav Mahler's Second Century: Achievements in Scholarship and Challenges for Research (2011)Examining Instruction in MIDI-based Composition Through a Critical Theory Lens (2013)The Accessibility of Music: Participation, Reception, and Contact (2012)Composing landscapes: musical memories from nineteenth-century Norwegian mountain-scapes (2013)Territoriality and beyond: problematizing modernity in international relations (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Toward a Theory of Gender (2013)The Cambridge Introduction to Modern British Fiction, 1950–2000 (2002)Apparitions of Asia (2008)19111 Climate Change and Imagination (2011)Marcuse or Habermas: Two critiques of technology1 (1996)Science as instrumental reason: Heidegger, Habermas, Heisenberg (2009)Marxism in the Anthropocene: Dialectical Rifts on the Left (2016)
this work references cited by second hop

References

  • 1991Postmodernism, or, The cultural logic of late capitalism9,294 cited
  • 1973The Country and the City2,687 cited
  • 1996The Environmental Imagination1,054 cited
  • 2006Adorno, Theodor W.661 cited
  • 1996Against Nature: The Concept of Nature in Critical Theory435 cited
  • 2004The Oxford history of western music197 cited
  • 1994Adorno's aesthetics of music160 cited
  • 1980The Living Work: Organicism and Musical Analysis132 cited
  • 2000Webern and the Transformation of Nature28 cited
  • 2004Eco-ing in the Canyon: Ferde Grofè's Grand Canyon Suite and the Transformation of Wilderness24 cited
  • 1993Postmodernism, narrativity, and the art of memory21 cited

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