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The “Phan”-dom of the Opera: Gothic Fan Cultures and Intertextual Otherness
16 references·0 citing·28 second hop
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this work references cited by second hop

References

  • 1992Textual poachers : television fans & participatory culture1,999 cited
  • 2003Fan Cultures869 cited
  • 2011As If: Modern Enchantment and the Literary Prehistory of Virtual Reality325 cited
  • 1998Place for Us: Essay on the Broadway Musical300 cited
  • 2004The American Musical and the Formation of National Identity142 cited
  • 2009The Gothic, Postcolonialism and Otherness130 cited
  • 2006Unfinished show business: Broadway musicals as works-in-process75 cited
  • 2009Theatre & Globalization60 cited
  • 2009The Gothic, Postcolonialism and Otherness: Ghosts from Elsewhere56 cited
  • 2003Our Musicals, Ourselves: A Social History of the American Musical Theatre52 cited
  • 2004Our Musicals, Ourselves—A Social History of the American Musical Theatre50 cited
  • 1987The complete Phantom of the Opera43 cited
  • 2011Changed for Good: A Feminist History of the Broadway Musical42 cited
  • 2007Wicked Divas, Musical Theater, and Internet Girl Fans31 cited
  • 2017Musical Theatre30 cited
  • 2014The Folding Text : Doctor Who, Adaptation and Fan Fiction

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