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Lithol red salts : characterization and deterioration
6 references·5 citing·40 second hop
Lithol red salts : characterization and deterioration (2010)Lithol red salts : characterization and d…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…The application of x-ray powder diffraction for the analysis of synthetic organic pigments. Part 2: artists’ paints (2009)The application of x-ray powd…Applications of laser desorption mass spectrometry for the study of synthetic organic pigments in works of art (2008)Applications of laser desorpt…Raman spectroscopic database of azo pigments and application to modern art studies (2000)Raman spectroscopic database …Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Predicting The Fading of Obje…Characterization of Organic Azo-Pigments by Pyrolysis-Gas Chromatography (1999)Characterization of Organic A…Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness (2024)Physico‐chemical characterisa…Fluorescent Paints in Contemporary Murals: A Case Study (2023)Fluorescent Paints in Contemp…To be or not to be an azo pigment: Chemistry for the preservation of historical β-naphthol reds in cultural heritage (2021)To be or not to be an azo pig…Identification of Lithol Red Synthetic Organic Pigment Reveals the Cause of Paint Layer Degradation on the Lazar Vozarević Painting “Untitled” with Copper Plates (2019)Identification of Lithol Red …The making of Mark Rothko's Harvard Murals (2015)The making of Mark Rothko's H…The materials of the artist and their use in painting, with notes on the techniques of the old masters (1949)Conservation of a room: A treatment proposal for Mark Rothko's Harvard Murals (2015)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Analysis of modern paints (2004)Photofading of ballpoint dyes studied on paper by LDI and MALDI MS (2006)Spectroscopic methods for the identification and photostability study of red synthetic organic pigments in alkyd and acrylic paints (2018)Mapping Natural Dyes in Archeological Textiles by Imaging Mass Spectrometry (2019)Identification of Synthetic Organic Pigments (SOPs) Used in Modern Artist’s Paints with Secondary Ion Mass Spectrometry with MeV Ions (2020)Q-switch laser and tattoo pigments: First results of the chemical and photophysical analysis of 41 compounds (2000)Non-invasive identification of synthetic organic pigments in contemporary art paints by visible–excited spectrofluorimetry and visible reflectance spectroscopy (2019)High-Resolution Non-Invasive X-ray Diffraction Analysis of Artists\n Paints (2021)Identification of Synthetic Organic Pigments in Contemporary Artists’ Paints by FT-IR and FT-Raman: An Advanced Analytical Experiment (2021)National Gallery Technical Bulletin (1979)An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures (2017)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)A photochemical study on the blue dye indigo: from solution to ancient Andean textiles (2008)Issues in Contemporary Oil Paint (2014)Multiscale characterization of shellfish purple and other organic colorants in 20th-century traditional enredos from Oaxaca, Mexico (2022)Sensing soluble molecules through SERS substrates in one-step procedure: unrevealing the Meiji woodblock printing materials (2022)The characterization of commercial artists’ alkyd paints (2008)Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library (2012)Chemical characterisation of spray paints by a multi-analytical (Py/GC–MS, FTIR, μ-Raman) approach (2015)Unveiling street art: A multimodal and multitechnique approach for analyzing and mapping painting materials on large murals (2025)VIS-Light-Induced Degradation of Street Art Paints and Organic Pigments (2025)The natural constituents of historical textile dyes (2004)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Identification and hazard prediction of tattoo pigments by means of pyrolysis—gas chromatography/mass spectrometry (2016)Photostability and influence of phthalocyanine pigments on the photodegradation of acrylic paints under accelerated solar radiation (2017)A multi-analytical approach for precise identification of alkyd spray paints and for a better understanding of their ageing behaviour in graffiti and urban artworks (2022)
this work references cited by second hop

References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 2000Raman spectroscopic database of azo pigments and application to modern art studies218 cited
  • 1999Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements96 cited
  • 1999Characterization of Organic Azo-Pigments by Pyrolysis-Gas Chromatography49 cited
  • 2008Applications of laser desorption mass spectrometry for the study of synthetic organic pigments in works of art45 cited
  • 2009The application of x-ray powder diffraction for the analysis of synthetic organic pigments. Part 2: artists’ paints21 cited

Cited by

  • 2021To be or not to be an azo pigment: Chemistry for the preservation of historical β-naphthol reds in cultural heritage16 cited
  • 2015The making of Mark Rothko's Harvard Murals12 cited
  • 2023Fluorescent Paints in Contemporary Murals: A Case Study11 cited
  • 2024Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness9 cited
  • 2019Identification of Lithol Red Synthetic Organic Pigment Reveals the Cause of Paint Layer Degradation on the Lazar Vozarević Painting “Untitled” with Copper Plates8 cited

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