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The Ephemeral, the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings
5 references·2 citing·27 second hop
The Ephemeral, the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings (2018)The Ephemeral, the Essential and the Mate…Side by side: old and new standards in the conservation of modern art. A comparative study on 20 years of modern art conservation practice (2016)Side by side: old and new sta…Mesocycles in conserving plastics (2016)Mesocycles in conserving plas…‘There is nothing more practical than a good theory’: Conceptual tools for conservation practice (2016)‘There is nothing more practi…SHARING KNOWLEDGE FOR THE CONSERVATION OF CONTEMPORARY ART: CHANGING ROLES IN A MUSEUM WITHOUT WALLS? (2004)SHARING KNOWLEDGE FOR THE CON…MEANING MATTERS: COLLABORATING WITH CONTEMPORARY ARTISTS (2004)MEANING MATTERS: COLLABORATIN…Treatment Case Studies in the Consolidation and Adhesion of Cellulose Nitrate (2024)Treatment Case Studies in the…Nothing Lasts Forever? Considering Lifespans in a Contemporary Collection (2024)Nothing Lasts Forever? Consid…The Artist's Handbook of Materials and Techniques (1940)Scoring the Work: Documenting Practice and Performance in Variable Media Art (2009)Knowledge Management, Diversity, and Professional Hierarchies in Libraries (2018)Beyond skills: reflections on the tacit knowledge-brain-cognition nexus on heritage conservators (2024)Field Theory in Social Science: Selected Theoretical Papers by Kurt Lewin (1951)Languages of Art (1976)De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? (2018)From ‘Objects’ to ‘Sustainable Development’: The Evolution of Architectural Heritage Conservation in Theory and Practice (2024)Art as Experience (1934) (2026)Installation Art and the Museum : Presentation and Conservation of Changing Artworks (2013)Installation Art and the Museum: Presentation and Conservation of Changing Artworks (2013)A Characterisation Study on Modern Bronze Sculpture: The Artistic Patinas of Nado Canuti (2018)Pollution monitoring in storage and display cabinets: carbonyl pollutant levels in relation to artifact deterioration (1994)Plastics: Collecting and Conserving (2001)PUR Facts: Conservation of Polyurethane Foam in Art and Design (2011)Degradation markers and plasticizer loss of cellulose acetate films during ageing (2019)Looking Back, Looking Forward: Materials Science in Art, Archaeology, and Art Conservation (2021)Determination of the polymer composition of mid-twentieth century purses by Raman spectroscopy (2022)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives (1996)Conservation Treatment Methodology (2012)Mortality Immortality?: The Legacy Of 20th-Century Art (1999)Conservation of Plastics (2012)Dialogue in conservation decision-making (2016)Inside Installations (2011)Reframing the Notion of “The Artist’s Intent:” A Study of Caring for Thomas Hirschhorn’s Intensif-Station (2010) (2021)Conservation of Contemporary Art (2023)
this work references cited by second hop

References

  • 2004SHARING KNOWLEDGE FOR THE CONSERVATION OF CONTEMPORARY ART: CHANGING ROLES IN A MUSEUM WITHOUT WALLS?24 cited
  • 2016Mesocycles in conserving plastics14 cited
  • 2016‘There is nothing more practical than a good theory’: Conceptual tools for conservation practice12 cited
  • 2004MEANING MATTERS: COLLABORATING WITH CONTEMPORARY ARTISTS10 cited
  • 2016Side by side: old and new standards in the conservation of modern art. A comparative study on 20 years of modern art conservation practice6 cited

Cited by

  • 2024Nothing Lasts Forever? Considering Lifespans in a Contemporary Collection1 cited
  • 2024Treatment Case Studies in the Consolidation and Adhesion of Cellulose Nitrate1 cited

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