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A novel LC–MS method using collagen marker peptides for species identification of glue applicable to samples with multiple animal origins
10 references·5 citing·46 second hopsampled
A novel LC–MS method using collagen marker peptides for species identification of glue applicable to samples with multiple animal origins (2018)A novel LC–MS method using collagen marke…Proteomics applied to the authentication of fish glue: application to a 17th century artwork sample (2013)Proteomics applied to the aut…Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry (2013)Identification of protein bin…Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample (2011)Identification of Animal Glue…Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings (2011)Deamidation at Asparagine and…Immunodetection of Proteins in Ancient Paint Media (2010)Immunodetection of Proteins i…A study of the interaction between rabbit glue binder and blue copper pigment under UV radiation: A spectroscopic and PCA approach (2010)A study of the interaction be…Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry (2009)Tryptic peptide analysis of p…Animal glues: a review of their key properties relevant to conservation (2007)Animal glues: a review of the…An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings (2006)An evaluation of GC‐MS and HP…Analysis of organic colouring and binding components in colour layer of art works (2005)Analysis of organic colouring…Paleoproteomic profiling for identification of animal skin species in ancient Egyptian archaeological leather using liquid chromatography coupled with tandem mass spectrometry (LC-MS/MS) (2022)Paleoproteomic profiling for …Multi-analytical Study on the Tara Thangka at Daxingshan Temple in Xi'an, Shaanxi, China (2022)Multi-analytical Study on the…A comparative study on the extraction effects of common agents on collagen-based binders in mural paintings (2021)A comparative study on the ex…In Situ Hydrogel Extraction with Dual-Enzyme Digestion of Proteinaceous Binders: the Key for Reliable Mass Spectrometry Investigations of Artworks (2020)In Situ Hydrogel Extraction w…Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques (2018)Characterization of proteins …Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)Investigating the history of prehistoric glues by gas chromatography–mass spectrometry (2004)Towards proteomic analysis of milk proteins in historical building materials (2009)Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy (2010)Protein identification and localization using mass spectrometry and staining tests in cross-sections of polychrome samples (2012)Identification of Proteins in Renaissance Paintings by Proteomics (2006)Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Deglycosylation Step to Improve the Identification of Egg Proteins in Art Samples (2015)Archaeological Adhesives (2022)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry (2014)Evaluation of mass spectrometric data using principal component analysis for determination of the effects of organic lakes on protein binder identification (2015)The Organic Chemistry of Museum Objects (1988)Organic Mass Spectrometry in Art and Archaeology (2009)Physico-chemical characterization of protein–pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar (2012)Proteomic strategies for cultural heritage: From bones to paintings (2015)Painting Materials : a Short Encyclopedia (1943)The materials and techniques of medieval painting (1956)Organic Chemistry of Museum Objects (2012)Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings (2014)Interactions between inorganic pigments and rabbit skin glue in reference paint reconstructions (2015)Method for Noninvasive Analysis of Proteins and Small Molecules from Ancient Objects (2017)Handbook of Chemometrics and Qualimetrics (1998)Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Assessment of Raman microscopy coupled with principal component analysis to examine egg yolk–pigment interaction based on the protein CH stretching region (3100–2800 cm−1) (2011)Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis (2012)Towards identification of traditional European and indigenous Australian paint binders using pyrolysis gas chromatography mass spectrometry (2013)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)Quantitative determination of un-derivatised amino acids in artistic mural paintings using high-performance liquid chromatography/electrospray ionization triple quadrupole mass spectrometry (2010)Analysis of egg-based model wall paintings by use of an innovative combined dot-ELISA and UPLC-based approach (2012)Investigation of organic additives in Italian Renaissance devotion stucco reliefs from French collections (2019)Modern analytical methods in art and archaeology (2000)Synchrotron UV−Visible Multispectral Luminescence Microimaging of Historical Samples (2011)Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review (2012)Relative Humidity and the Stress/Strain Response of Canvas Paintings: Uniaxial Measurements of Naturally Aged Samples (1988)Gilded Wood: Conservation and History (1992)Painted Wood: History and Conservation (2000)The Role of Fire in the Life of an Adhesive (2017)Understanding preservation and identification biases of ancient adhesives through experimentation (2020)Reevaluating the timing of Neanderthal disappearance in Northwest Europe (2021)A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings (2012)
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References

  • 2007Animal glues: a review of their key properties relevant to conservation141 cited
  • 2011Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings107 cited
  • 2010Immunodetection of Proteins in Ancient Paint Media98 cited
  • 2011Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample82 cited
  • 2009Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry71 cited
  • 2005Analysis of organic colouring and binding components in colour layer of art works52 cited
  • 2013Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry38 cited
  • 2006An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings38 cited
  • 2013Proteomics applied to the authentication of fish glue: application to a 17th century artwork sample36 cited
  • 2010A study of the interaction between rabbit glue binder and blue copper pigment under UV radiation: A spectroscopic and PCA approach34 cited

Cited by

  • 2020In Situ Hydrogel Extraction with Dual-Enzyme Digestion of Proteinaceous Binders: the Key for Reliable Mass Spectrometry Investigations of Artworks26 cited
  • 2021A comparative study on the extraction effects of common agents on collagen-based binders in mural paintings22 cited
  • 2018Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques

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22 cited
  • 2022Paleoproteomic profiling for identification of animal skin species in ancient Egyptian archaeological leather using liquid chromatography coupled with tandem mass spectrometry (LC-MS/MS)14 cited
  • 2022Multi-analytical Study on the Tara Thangka at Daxingshan Temple in Xi'an, Shaanxi, China11 cited