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Investigation of proteins in samples of a mid-18th century colonial mural painting by MALDI-TOF/MS and LC-ESI/MS (Orbitrap)
16 references·5 citing·36 second hop
Investigation of proteins in samples of a mid-18th century colonial mural painting by MALDI-TOF/MS and LC-ESI/MS (Orbitrap) (2018)Investigation of proteins in samples of a…A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia) (2016)A multi-analytical investigat…Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Proteins in Art, Archaeology,…Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry (2014)Identification of lipid- and …Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry (2013)Identification of protein bin…Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques (2013)Complementary cross-section b…Protein identification and localization using mass spectrometry and staining tests in cross-sections of polychrome samples (2012)Protein identification and lo…A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings (2012)A simple protocol for Matrix …Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA) (2011)Classification of protein bin…Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry (2009)Tryptic peptide analysis of p…Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Proteomic strategies for the …Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry (2007)Identification of proteinaceo…Identification of Proteins in Renaissance Paintings by Proteomics (2006)Identification of Proteins in…Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Combined GC/MS Analytical Pro…Analysis of organic colouring and binding components in colour layer of art works (2005)Analysis of organic colouring…Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings (2004)Matrix‐assisted laser desorpt…Arte de la pintura: 10000 (1990)Arte de la pintura: 10000Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals (2023)Identification of pigments an…Dual-polarity MALDI mass spectrometry and imaging of oil binders and fatty acids in artworks using cyanographene as a single matrix (2022)Dual-polarity MALDI mass spec…Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature‐controlled stage for the study of thermal induced antlerite degradation (2021)Identification and characteri…Connecting Rheological Properties and Molecular Dynamics of Egg‐Tempera Paints based on Egg Yolk (2021)Connecting Rheological Proper…In search of Humboldt’s colors: materials and techniques of a 17th-century lacquered gourd from Colombia (2020)In search of Humboldt’s color…Methods and materials of painting of the great schools and masters (1960)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings (2011)Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Palaeoproteomic Profiling of Conservation Layers on a 14th Century Italian Wall Painting (2018)The Organic Chemistry of Museum Objects (1988)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample (2011)Organic Chemistry of Museum Objects (2012)Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China (2012)Proteomic strategies for cultural heritage: From bones to paintings (2015)Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts (2001)Border Cave and the beginning of the Later Stone Age in South Africa (2012)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media (2009)Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA) (2013)Interactions between inorganic pigments and rabbit skin glue in reference paint reconstructions (2015)Non-destructive and micro-invasive testing techniques for characterizing materials, structures and restoration problems in mural paintings (2016)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings (2014)Method for Noninvasive Analysis of Proteins and Small Molecules from Ancient Objects (2017)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Improved procedure for protein binder analysis in mural painting by LC-ESI/Q-q-TOF mass spectrometry: detection of different milk species by casein proteotypic peptides (2009)Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals (2009)The materials and techniques of medieval painting (1956)Electrochemical analysis of natural solid organic dyes and pigments (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Palaeoproteomics for human evolution studies (2018)Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science (2018)Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage (2008)Study of the GC–MS determination of the palmitic–stearic acid ratio for the characterisation of drying oil in painting: La Encarnación by Alonso Cano as a case study (2011)Pigment-size effect on the physico-chemical behavior of azurite-tempera dosimeters upon natural and accelerated photo aging (2017)Proteomic identification of adhesive on a bone sculpture-inlaid wooden artifact from the Xiaohe Cemetery, Xinjiang, China (2014)Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques (2016)
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References

  • 2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample199 cited
  • 2015Proteins in Art, Archaeology, and Paleontology: From Detection to Identification172 cited
  • 2006Identification of Proteins in Renaissance Paintings by Proteomics134 cited
  • 1990Arte de la pintura: 10000109 cited
  • 2009Proteomic strategies for the identification of proteinaceous binders in paintings89 cited
  • 2007Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry84 cited
  • 2004Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings78 cited
  • 2009Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry71 cited
  • 2012A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings58 cited
  • 2011Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA)57 cited
  • 2005Analysis of organic colouring and binding components in colour layer of art works52 cited
  • 2012Protein identification and localization using mass spectrometry and staining tests in cross-sections of polychrome samples

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51 cited
  • 2013Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry38 cited
  • 2016A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia)35 cited
  • 2013Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques34 cited
  • 2014Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry27 cited
  • Cited by

    • 2023Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals17 cited
    • 2022Dual-polarity MALDI mass spectrometry and imaging of oil binders and fatty acids in artworks using cyanographene as a single matrix14 cited
    • 2020In search of Humboldt’s colors: materials and techniques of a 17th-century lacquered gourd from Colombia13 cited
    • 2021Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature‐controlled stage for the study of thermal induced antlerite degradation13 cited
    • 2021Connecting Rheological Properties and Molecular Dynamics of Egg‐Tempera Paints based on Egg Yolk13 cited