El remordimiento de Prometeo: una revisión comparada entre la perspectiva de Emilio Mira y Ramón Sarró sobre psicología del arte

Abstract

Serious ideological differences between Emilio Mira and Ramon Sarro emerged during the Spanish Civil War. However, both authors agree on many ideas about the psychology of art. This paper aims to compare both theoretical views and, on the other hand, claim the memory of Dr. Mira on psychology of art. This paper is divided into four parts, plus an introduction and epilogue section. It opens with a brief historical introduction describing the background that led to the conflict between

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