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The use of pottery clay for canvas priming in Italian Baroque – An example of technology transfer
8 references·0 citing·36 second hop
The use of pottery clay for canvas priming in Italian Baroque – An example of technology transfer (2018)The use of pottery clay for canvas primin…Microanalysis of clay-based pigments in paintings by XRD techniques (2015)Microanalysis of clay-based p…Differentiation between anonymous paintings of the 17th and the early 18th century by composition of clay-based grounds (2015)Differentiation between anony…Conservation of Easel Paintings (2013)Conservation of Easel Paintin…Terracotta polychrome sculptures examined before and after their conservation work: contributions from non-invasive in situ analytical techniques (2011)Terracotta polychrome sculptu…Non-invasive approach in the study of polychrome terracotta sculptures: employment of the portable XRF to investigate complex stratigraphy (2011)Non-invasive approach in the …XRF analysis of two terracotta polychrome sculptures by Pietro Torrigiano (2009)XRF analysis of two terracott…Iron (hydr)oxide nanocrystals in raw and burnt sienna pigments (2006)Iron (hydr)oxide nanocrystals…ELEMENTAL ANALYSES OF A GROUP OF GLAZED TERRACOTTA ANGELS FROM THE ITALIAN RENAISSANCE, AS A TOOL FOR THE RECONSTRUCTION OF A COMPLEX CONSERVATION HISTORY* (2003)ELEMENTAL ANALYSES OF A GROUP…Clay and iron oxide pigments in the history of painting (2003)Microanalysis of clay‐based pigments in painted artworks by the means of Raman spectroscopy (2013)Microanalytical study of luster glazed gilding and silvering from Baroque altarpieces (2017)Differentiation of clay-based pigments in paintings by means of laser ablation-inductively coupled plasma-mass spectrometry (2019)De l'origine du cobalt : du verre à la céramique (1996)Investigation of beam-induced damage to ancient ceramics in external-PIXE measurements (2002)PIXE and μ-PIXE analysis of glazes from terracotta sculptures of the della Robbia workshop (2002)Quantitative elemental analysis of Della Robbia glazes with a portable XRF spectrometer and its comparison to PIXE methods (2006)Application of WDXRF in the provenance studies of Persian haft rang tiles: a statistical approach (2013)Archaeometric characterization of 17th-century tin-glazed Anabaptist (Hutterite) faience artefacts from North-East-Hungary (2014)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Comparative study of mobile Raman instrumentation for art analysis (2007)A Novel Spectral Matching Approach for Pigment: Spectral Subsection Identification Considering Ion Absorption Characteristics (2020)Analysis of art objects using a portable x-ray fluorescence spectrometer (2000)X-ray fluorescence spectrometry in art and archaeology (2000)Non-destructive analysis and testing of museum objects: An overview of 5 years of research (2005)Development of a combined portable x-ray fluorescence and Raman spectrometer for in situ analysis (2014)Estimation of semiconductor-like pigment concentrations in paint mixtures and their differentiation from paint layers using first-derivative reflectance spectra (2016)An innovative protocol for the study of painting materials involving the combined use of MA-XRF maps and hyperspectral images (2021)A Note on Burnt Yellow Earth Pigments: Documentary Sources and Scientific Analysis (1997)XRD study of the goethite-hematite transformation: Application to the identification of heated prehistoric pigments (1998)Tem observations of goethite dehydration: application to archaeological samples (1999)The painting of the Etruscan “Tomba della Quadriga Infernale” (4th century BC), in Sarteano (Siena, Italy): technical features (2009)Clay Minerals in European Painting of the Mediaeval and Baroque Periods (2020)Discovering the evolution of Jacques-Louis David’s portrait of Antoine-Laurent and Marie-Anne Pierrette Paulze Lavoisier (2021)Werkstoffe und Techniken der Malerei (1969)Arte de la pintura: 10000 (1990)Fluorescenza X : prontuario per l'analisi XRF portatile applicata a superfici policrome (2002)Non-destructive synchrotron X-ray diffraction mapping of a Roman painting (2005)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment (2012)Study on colored pattern pigments of a royal Taoist temple beside the Forbidden City (Beijing, China) (2017)Clay and alunite-rich materials in painting grounds of prominent Italian masters – Caravaggio and Mattia Preti (2019)The crystallization of metal soaps and fatty acids in oil paint model systems (2016)A review of solvent action on oil paint (2020)Pigments—Iron-based red, yellow, and brown ochres (2022)
this work references cited by second hop

References

  • 2013Conservation of Easel Paintings184 cited
  • 2006Iron (hydr)oxide nanocrystals in raw and burnt sienna pigments34 cited
  • 2015Microanalysis of clay-based pigments in paintings by XRD techniques32 cited
  • 2003ELEMENTAL ANALYSES OF A GROUP OF GLAZED TERRACOTTA ANGELS FROM THE ITALIAN RENAISSANCE, AS A TOOL FOR THE RECONSTRUCTION OF A COMPLEX CONSERVATION HISTORY*24 cited
  • 2011Non-invasive approach in the study of polychrome terracotta sculptures: employment of the portable XRF to investigate complex stratigraphy23 cited
  • 2015Differentiation between anonymous paintings of the 17th and the early 18th century by composition of clay-based grounds17 cited
  • 2011Terracotta polychrome sculptures examined before and after their conservation work: contributions from non-invasive in situ analytical techniques17 cited
  • 2009XRF analysis of two terracotta polychrome sculptures by Pietro Torrigiano15 cited

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