SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack
16 references·2 citing·36 second hop
How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack (2018)How the Waltz was Won: Transmutations and…"The Evolution of Jazz in Britain, 1880�1935 " (2017)"The Evolution of Jazz in Bri…Modern Moves (2015)Modern MovesGoing to the Palais (2015)Going to the PalaisSociety dancing: fashionable bodies in England, 1870-1920 (2011)Society dancing: fashionable …The wicked waltz and other scandalous dances: outrage at couple dancing in the 19th and early 20th centuries (2010)The wicked waltz and other sc…The Ugly Duckling: The Refinement of Ragtime Dancing and the Mass Production and Marketing of Modern Social Dance (2010)The Ugly Duckling: The Refine…Performing American: Ragtime Dancing as Participatory Minstrelsy (2009)Performing American: Ragtime …Ballroom, boogie, shimmy sham, shake: a social and popular dance reader (2009)Ballroom, boogie, shimmy sham…Glamour Addiction (2006)Glamour Addiction“Oh, You Black Bottom!” Appropriation, Authenticity, and Opportunity in the Jazz Dance Teaching of 1920s New York (2006)“Oh, You Black Bottom!” Appro…‘You cannot shake that shimmie here’: producing mobility on the dance floor (2005)‘You cannot shake that shimmi…Music for the People: Popular Music and Dance in Interwar Britain (2003)Music for the People: Popular…Waltzing in the Dark (2000)Waltzing in the DarkAudible traces : gender, identity, and music (1999)Audible traces : gender, iden…Embodying Difference (1997)Embodying DifferenceRagtime: A Musical and Cultural History (1981)Ragtime: A Musical and Cultur…Bandleader Mrs Mary Hamer and Her Boys (2025)Bandleader Mrs Mary Hamer and…How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part Two: The Waltz Regained (2018)How the Waltz was Won: Transm…The Constitution of Society. Outline of the Theory of Structuration (1984)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)The Practice Turn in Contemporary Theory (2005)Comfortable Bodies: Sedentary Affects (2007)The body as research tool: embodied practice and children's geographies (2008)Ludic geographies: not merely child’s play (2012)The possessive investment in whiteness: how white people profit from identity politics (1998)5. The Practice of Everyday Life (2000)Introdução ao Dossiê «Juventudes e Músicas Digitais Periféricas» (2018)The Practice in Everyday Life (2020)Classical ballet: A discourse of difference (1987)Embodying Difference: Issues in Dance and Cultural Studies (1993)Dancing the Orient for England: Maud Allan's "The Vision of Salome" (1994)After the “Golden Age” (2012)Audiences and Critics (2012)Knowing Your Audience (2012)The Expansion of Punk Rock: Riot Grrrl Challenges to Gender Power Relations in British Indie Music Subcultures (2012)Anthropology and Voice (2014)Big Ears: Listening for Gender in Jazz Studies (2020)Wyndham Lewis's ‘Very Bad Thing’: Jazz, Inter-War Culture, and The Apes of God (2013)Improvisation and Entrepreneurial Bricolage versus Rationalisation: A case-based analysis of contrasting responses to economic instability in the UK brass musical instruments industry (2014)Storytelling in jazz improvisation: Implications of a rich intermedial metaphor (2014)Lyrics and flow in rap music (2015)The Cambridge Companion to Hip-Hop (2015)The musical analysis of hip-hop (2015)Dancing in the Past, Living in the Present: Nostalgia and Race in Southern California Neo-Swing Dance Culture (2001)IDENTITY FOR SALE: (2008)Performing a Geography of Asian America: The Chop Suey Circuit (2011)TEENAGE GIRLS, FEMALE FRIENDSHIP AND THE MAKING OF THE SEXUAL REVOLUTION IN ENGLAND, 1950–1980 (2019)The Beatles and Sixties Britain (2020)The Afro-American Transformation of European Set Dances and Dance Suites (1988)African American music to 1900 (1998)Popular song and popular music on stage and film (1998)Leading, following and sexism in social dance: change of meaning as contained secondary adjustments (2013)‘Whether you are gay or straight, I don’t like to see effeminate dancing’: effeminophobia in performance-level ballroom dance (2016)A poststructuralist-informed inclusive masculinity theory (PS-IMT): developing IMT to account for complexities in masculinities, using learning to dance Latin and ballroom as an example (2019)
this work references cited by second hop

References

  • 2009Ballroom, boogie, shimmy sham, shake: a social and popular dance reader154 cited
  • 1999Audible traces : gender, identity, and music147 cited
  • 2005‘You cannot shake that shimmie here’: producing mobility on the dance floor101 cited
  • 2017"The Evolution of Jazz in Britain, 1880�1935 "90 cited
  • 1997Embodying Difference85 cited
  • 2006Glamour Addiction72 cited
  • 2000Waltzing in the Dark67 cited
  • 1981Ragtime: A Musical and Cultural History60 cited
  • 2015Going to the Palais59 cited
  • 2006“Oh, You Black Bottom!” Appropriation, Authenticity, and Opportunity in the Jazz Dance Teaching of 1920s New York38 cited
  • 2003Music for the People: Popular Music and Dance in Interwar Britain35 cited
  • 2011Society dancing: fashionable bodies in England, 1870-192031 cited
  • 2009Performing American: Ragtime Dancing as Participatory Minstrelsy29 cited
  • 2015Modern Moves29 cited
  • 2010The wicked waltz and other scandalous dances: outrage at couple dancing in the 19th and early 20th centuries25 cited
  • 2010The Ugly Duckling: The Refinement of Ragtime Dancing and the Mass Production and Marketing of Modern Social Dance

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

17 cited

Cited by

  • 2018How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part Two: The Waltz Regained4 cited
  • 2025Bandleader Mrs Mary Hamer and Her Boys2 cited