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Chemical and mineralogical characterization and 14C dating of white and red pigments in the rock paintings from Nyero (Uganda)
16 references·0 citing·46 second hop
Chemical and mineralogical characterization and 14C dating of white and red pigments in the rock paintings from Nyero (Uganda) (2018)Chemical and mineralogical characterizati…The Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017)The Oxford Handbook of the Ar…Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire (2017)Identification of plant cells…Radiocarbon age constraints for a Pleistocene–Holocene transition rock art style: The Northern Running Figures of the East Alligator River region, western Arnhem Land, Australia (2016)Radiocarbon age constraints f…The Nature of Culture: an eight-grade model for the evolution and expansion of cultural capacities in hominins and other animals. 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A review of rock art dating (2012)How old are Australia's picto…The first spectroscopic analysis of Ethiopian prehistoric rock painting (2011)The first spectroscopic analy…The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa (2008)The first Raman spectroscopic…Dating rock paintings in the uKhahlamba-Drakensberg and the Biggarsberg, KwaZulu-Natal, South Africa (2003)Dating rock paintings in the …Clay and iron oxide pigments in the history of painting (2003)Clay and iron oxide pigments …Analysis of rock art painting and technology of Palaeolithic painters (2003)Analysis of rock art painting…Fourier-transform Raman spectroscopic study of pigments in native American Indian rock art: Seminole Canyon (1998)Fourier-transform Raman spect…Rock Art Pigments from Kimberley Region of Western Australia: Identification of the Minerals and Conversion Mechanisms (1994)Rock Art Pigments from Kimber…Age and Composition of Oxalate-Rich Crusts in the Northern Territory, Australia (1991)Age and Composition of Oxalat…Archaeometry : further Australasian studies (1987)Archaeometry : further Austra…Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom (1974)Cultures in chimpanzees (1999)The Cultural Origins of Human Cognition (2000)Why developmental psychology is incomplete without comparative and cross-cultural perspectives (2015)Occasional, obligatory, and habitual stone tool use in hominin evolution (2017)The revolution that still isn't: The origins of behavioral complexity in Homo sapiens (2023)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? 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France (1999)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Processing ochre in the Middle Stone Age: Testing the inference of prehistoric behaviours from actualistically derived experimental data (2011)The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France (2012)Characterizing the pigments and paints of prehistoric artists (2021)Appropriated pasts: indigenous peoples and the colonial culture of archaeology (2006)Early dates for ‘Neanderthal cave art’ may be wrong (2018)Colonisation and early peopling of the Colombian Amazon during the Late Pleistocene and the Early Holocene: New evidence from La Serranía La Lindosa (2020)The archaeometry of ochre sensu lato: A review (2021)Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France (2006)Trace element characterization of ochre from geological sources (2007)Pigments from the Middle Palaeolithic levels of Es-Skhul (Mount Carmel, Israel) (2010)The role of silica in Polish formation (1991)Modern Human Ancestry at the Peripheries: A Test of the Replacement Theory (2001)The revolution that didn't arrive: A review of Pleistocene Sahul (2008)
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References

  • 2003Clay and iron oxide pigments in the history of painting375 cited
  • 2017The Oxford Handbook of the Archaeology and Anthropology of Rock Art227 cited
  • 2003Analysis of rock art painting and technology of Palaeolithic painters171 cited
  • 1987Archaeometry : further Australasian studies122 cited
  • 2015The Nature of Culture: an eight-grade model for the evolution and expansion of cultural capacities in hominins and other animals.91 cited
  • 2008The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa87 cited
  • 1991Age and Composition of Oxalate-Rich Crusts in the Northern Territory, Australia81 cited
  • 2012Non-invasive portable instrumentation to study Palaeolithic rock paintings: the case of La Peña Cave in San Roman de Candamo (Asturias, Spain)77 cited
  • 2011The first spectroscopic analysis of Ethiopian prehistoric rock painting71 cited
  • 1998Fourier-transform Raman spectroscopic study of pigments in native American Indian rock art: Seminole Canyon70 cited
  • 2003Dating rock paintings in the uKhahlamba-Drakensberg and the Biggarsberg, KwaZulu-Natal, South Africa67 cited
  • 2012How old are Australia's pictographs? A review of rock art dating57 cited
  • 1994Rock Art Pigments from Kimberley Region of Western Australia: Identification of the Minerals and Conversion Mechanisms57 cited
  • 2017

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Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire
56 cited
  • 2013Sites on the landscape: Paleoenvironmental context of late Pleistocene archaeological sites from the Lake Victoria basin, equatorial East Africa46 cited
  • 2016Radiocarbon age constraints for a Pleistocene–Holocene transition rock art style: The Northern Running Figures of the East Alligator River region, western Arnhem Land, Australia45 cited
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