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“Endless Art”: The Contemporary Archive of Performance
14 references·0 citing·28 second hop
“Endless Art”: The Contemporary Archive of Performance (2018)“Endless Art”: The Contemporary Archive o…Documenting Performance (2017)Documenting PerformanceTheatre & Social Media (2016)Theatre & Social MediaThe Abbey Theatre Digitization Project in NUI Galway (2015)The Abbey Theatre Digitizatio…Theatre & History (2014)Theatre & HistoryThe Politics of Irish Memory: Performing Remembrance in Contemporary Irish Culture (2010)The Politics of Irish Memory:…A history of the media in Ireland (2010)A history of the media in Ire…Redefining the performing arts archive (2009)Redefining the performing art…Performance, Ethics and Spectatorship in a Global Age (2009)Performance, Ethics and Spect…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Performance and/as History (2006)Performance and/as HistoryThe Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)The Archive and the Repertoir…The Archive and the Repertoire (2003)The Archive and the RepertoireUnmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Unmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Europe and the People without History (1984)How Societies Remember (1989)The Wretched of the Earth (2000)Agents of Transculturation. Border-Crossers, Mediators, Go-Betweens (2013)Archives, Bodies, and Imagination (2014)On Flogging the Dead Horse, Again: Historicity, Genealogy, and Objectivity in Richard Waterman’s Approach to Music (2015)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Does commercial orientation matter for policy-game framing? A content analysis of television and radio news programmes on public and private stations (2014)Ireland: In Search of Reform for Public Service Media Funding (2017)Making Sense of Television (2019)Slow Listening (2019)Artistic Creation and Ethical Criticism (2020)Shakespeare, Spectatorship and the Technologies of Performance (2020)9. The Generation Of Postmemory (2008)The Indigenous State: Race, Politics, and Performance in Plurinational Bolivia (2017)Exemplary Ethics in Ancient Rome (2018)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)Shakespeare, Social Media, and the Digital Public Sphere:Such Tweet SorrowandA Midsummer Night's Dreaming (2018)Viral Theatre: Preliminary Thoughts on the Impact of the COVID-19 Pandemic on Online Theatre (2021)Drama, Performativity, and Performance (1998)“A New Hope”: The Psychic Life of Passing (2008)Acts of Gaiety (2012)Tweets, Tweeps, and Signifyin’ (2013)After the party: a manifesto for queer of color life (2019)
this work references cited by second hop

References

  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 2003The Archive and the Repertoire2,114 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1994Unmarked: The Politics of Performance494 cited
  • 2009Performance, Ethics and Spectatorship in a Global Age109 cited
  • 2006Performance and/as History72 cited
  • 2010The Politics of Irish Memory: Performing Remembrance in Contemporary Irish Culture62 cited
  • 2010A history of the media in Ireland46 cited
  • 2016Theatre & Social Media38 cited
  • 2009Redefining the performing arts archive29 cited
  • 2014Theatre & History28 cited
  • 2017Documenting Performance17 cited
  • 2015The Abbey Theatre Digitization Project in NUI Galway5 cited

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