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Rising tides? Data capture, platform accumulation, and new monopolies in the digital music economy

16 references·11 citing·37 second hop

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References

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2018Popular Music as Promotion: Music and Branding in the Digital Age76 cited

Cited by

2022Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music25 cited
2022The platformed money ecosystem: Digital financial platforms, datafication, and reimagining financial well‐being18 cited
2021The emergence of promotional gatekeeping and converged local music professionals on social media17 cited
2024Mirroring the inequalities of mainstream music platforms: popularity, revenue, and monetization strategies on Bandcamp14 cited
2019Popular Music, Streaming, and Promotional Media: Enduring and Emerging Industrial Logics12 cited
2023Compelled TikTok creators? The ambivalent affordances of the short video app for Filipino musicians11 cited
2024Hip-hop music producers’ labour in the digital music economy: Self-promotion, social media and platform gatekeeping10 cited
2024Financialization of music: song management firms and fractionalized copyright9 cited
2025Self-Brand or Be Branded Out: The Convergence of Mainstream and Independent Music Talent Scouting Under Platform Capitalism7 cited
2023Stories and Data: Australian Musicians Navigating the Spotify for Artists Platform5 cited
201924. Popular Music, Streaming, and Promotional Media: Enduring and Emerging Industrial Logics4 cited