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The Sound of Evil
13 references·2 citing·33 second hop
The Sound of Evil (2018)The Sound of EvilDeath Metal and Music Criticism: Analysis at the Limits (2012)Death Metal and Music Critici…Native American song at the frontiers of early modern music (2008)Native American song at the f…Extreme Metal: Music and Culture on the Edge (2006)Extreme Metal: Music and Cult…Chapter 5 Violence in Three Shades of Metal: Death, Doom and Black (2004)Chapter 5 Violence in Three S…Death Metal Music: The Passion and Politics of a Subculture (2003)Death Metal Music: The Passio…Death metal tonality and the act of listening (1999)Death metal tonality and the …Rhythm and Noise: An Aesthetics of Rock (1996)Rhythm and Noise: An Aestheti…The poetics of destruction: Death metal rock (1994)The poetics of destruction: D…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Heavy Metal: A Cultural Sociology. (1992)Heavy Metal: A Cultural Socio…Noise: The Political Economy of Music (1986)Noise: The Political Economy …The Noise: Notes from a Rock 'N' Roll Era (1984)The Noise: Notes from a Rock …The Ritual Process — Structure and Anti-Structure (1972)The Ritual Process — Structur…Oublier « The grain of the voice » : étudier la voix dans les chansons (2020)Oublier « The grain of the vo…Des vocalités « bestiales » ? Caractériser les voix bruitées du black metal (2020)Des vocalités « bestiales » ?…The Constitution of Society. Outline of the Theory of Structuration (1984)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)The Price of Rebellion: Gender Boundaries in the Death Metal Scene (2011)In Defense of Textual Analysis: Resisting Methodological Hegemony in Media and Cultural Studies (2012)Un(su)Stained Class? (2016)On Record: Rock, Pop and the Written Word (1990)Teenagers, behavioral problems, and preferences for heavy metal and rap music: A case study of a southern middle school (1990)Sound, text and identity in Korn’s ‘Hey Daddy’ (2007)Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33» (2009)Drinking to Death: Traditional Masculinity, Alcohol and Shame in Finnish Metal Lyrics (2011)Making Tracks: The Ontology of Rock Music (2006)Between silence and pain: loudness and the affective encounter (2015)Musical Rhythm in the Age of Digital Reproduction (2016)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)A Sociology of the Unmarked: Redirecting Our Focus (1998)Music Scenes: Local, Translocal, and Virtual (2011)Ritual and Its Consequences (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)The Hyperreal Indian (1994)Reclaiming resilience and safety: Resilience activation in the critical period of crisis (2009)Betwixt and Between Identities: Liminal Experience in Contemporary Careers (2016)What Is Sociological about Music? (2010)Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 (2011)Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics (2013)Listening to Heavy Metal in Wadeye (2014)The Cambridge Companion to Opera Studies (2012)The Cambridge History of Sixteenth-Century Music (2019)Sound Relations (2021)
this work references cited by second hop

References

  • 1986Noise: The Political Economy of Music1,617 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 1992Heavy Metal: A Cultural Sociology.263 cited
  • 1972The Ritual Process — Structure and Anti-Structure263 cited
  • 2003Death Metal Music: The Passion and Politics of a Subculture131 cited
  • 2008Native American song at the frontiers of early modern music110 cited
  • 1999Death metal tonality and the act of listening101 cited
  • 1994The poetics of destruction: Death metal rock80 cited
  • 2012Death Metal and Music Criticism: Analysis at the Limits47 cited
  • 2004Chapter 5 Violence in Three Shades of Metal: Death, Doom and Black28 cited
  • 1984The Noise: Notes from a Rock 'N' Roll Era17 cited

Cited by

  • 2020Oublier « The grain of the voice » : étudier la voix dans les chansons11 cited
  • 2020Des vocalités « bestiales » ? Caractériser les voix bruitées du black metal4 cited

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