Native American song at the frontiers of early modern music

OLIVIA A. BLOECHL

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Musicology and Musical Analysis Music History and Culture Diverse Musicological Studies

Abstract

1. On colonial difference and musical frontiers: directions for a postcolonial musicology Part I. Transatlantic Savagery: 2. Protestant imperialism and the metaphysics of new world song 3. The voice of possession 4. The voice of prophecy Part II. Staging the Indian: 5. Musicking Indians in the Stuart court masque 6. Savage Lully 7. Rameau's Les sauvages and the aporia of musical nature Conclusion. Opera, elsewhere.

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2012The Cambridge Companion to Opera Studies 2021Sound Relations 2019The Cambridge History of Sixteenth-Century Music 2014Race, empire, and early music 2019Joseph Johnson's Lost Gamuts: Native Hymnody, Materials of Exchange, and the Colonialist Archive 2017Peculiar Animations: Listening to Afro-Atlantic Music in Caribbean Travel Narratives 2019Music in the Early Colonial World 2013Native American ways of (music) history

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