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Undigested Reading: Rethinking Stage Directions through Affect
13 references·0 citing·28 second hop
Undigested Reading: Rethinking Stage Directions through Affect (2018)Undigested Reading: Rethinking Stage Dire…The Affect Theory Reader (2010)The Affect Theory ReaderIn the Next Room (or the vibrator play) (2010)In the Next Room (or the vibr…The Affective Turn (2007)The Affective TurnPrint and the Poetics of Modern Drama (2006)Print and the Poetics of Mode…Figuring the "Spells" / Spelling the Figures: Suzan-Lori Parks's "Scene of Love (?)" (2006)Figuring the "Spells" / Spell…Fifty Key Theatre Directors (2004)Fifty Key Theatre DirectorsStage fright: modernism, anti-theatricality, and drama (2003)Stage fright: modernism, anti…Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama (2001)Narrative Voice and Agency in…The voice of Elizabethan stage directions: the evolution of a theatrical code (1999)The voice of Elizabethan stag…Theatre Semiotics: Text and Staging in Modern Theatre (1995)Theatre Semiotics: Text and S…Communists, Cowboys, and Queers: The Politics of Masculinity in the Work of Arthur Miller and Tennessee Williams. (1993)Communists, Cowboys, and Quee…When Worlds Collide: The Stage Direction as Utterance (1991)When Worlds Collide: The Stag…Respect for Acting (1974)Respect for ActingFrame Analysis: An Essay on the Organization of Experience. (1975)How To Do Things With Words (1975)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Multimodality and the study of popular drama (2010)How Authors' Minds Make Stories (2013)17 Narratology and Media(lity): The Transmedial Expansion of a Literary Discipline and Possible Consequences [2011] (2017)Processes and rhetorics of writing in contemporary British devising: Frantic Assembly and Forced Entertainment (2013)Performing the Poet, Reading (to) the Audience: Some Thoughts on Live Poetry as Literary Communication (2012)Semiotics and performing arts: contemporary issues (2016)The 360° Gaze (2021)Parental Mediation Theory for the Digital Age (2011)Affect and discourse – What’s the problem? From affect as excess to affective/discursive practice (2013)The New Materialisms and Indigenous Theories of Non-Human Agency: Making the Case for Respectful Anti-Colonial Engagement (2019)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters (2012)Drama/Theatre/Performance (2004)Wagner-Dampf: Steam in Der Ring des Nibelungen and Operatic Production (2011)The Cambridge History of Modernism (2017)Homofobia, temor, vergüenza y silencio en la identidad masculina (1994)The Sadomasochist in the Closet: White Masculinity and the Culture of Victimization (1996)Intersections of Race, Gender, and Sexuality (2015)Women on the Couch: Genital Stimulation and the Birth of Psychoanalysis (2011)Antigone's Bones (2008)Shakespeare and the power of performance: stage and page in the Elizabethan theatre (2009)Shakespeare Performance Studies (2017)The Data Puzzle: The Nature of Interpretation in Quantitative Research (1996)A Moral Method? Thoughts on cultivating empathy through Method acting (2000)Enacting the ‘true self’: Towards a theory of embodied authentic leadership (2009)
this work references cited by second hop

References

  • 2010The Affect Theory Reader2,213 cited
  • 2007The Affective Turn1,767 cited
  • 2003Stage fright: modernism, anti-theatricality, and drama288 cited
  • 1993Communists, Cowboys, and Queers: The Politics of Masculinity in the Work of Arthur Miller and Tennessee Williams.112 cited
  • 1974Respect for Acting97 cited
  • 2001Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama92 cited
  • 2006Print and the Poetics of Modern Drama39 cited
  • 1995Theatre Semiotics: Text and Staging in Modern Theatre24 cited
  • 2004Fifty Key Theatre Directors24 cited
  • 2010In the Next Room (or the vibrator play)18 cited
  • 1999The voice of Elizabethan stage directions: the evolution of a theatrical code14 cited
  • 1991When Worlds Collide: The Stage Direction as Utterance13 cited
  • 2006Figuring the "Spells" / Spelling the Figures: Suzan-Lori Parks's "Scene of Love (?)"10 cited

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