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The Giotto's workshop in the XXI century: looking inside the “God the Father with Angels” gable
11 references·5 citing·39 second hop
The Giotto's workshop in the XXI century: looking inside the “God the Father with Angels” gable (2018)The Giotto's workshop in the XXI century:…Discovering the material palette of the artist: a p‐XRF stratigraphic study of the Giotto panel ‘God the Father with Angels’ (2017)Discovering the material pale…Unusual pigments found in a painting by Giotto (c. 1266-1337) reveal diversity of materials used by medieval artists (2016)Unusual pigments found in a p…Non-invasive in situ analytical techniques working in synergy: The application on graduals held in the Certosa di Pavia (2015)Non-invasive in situ analytic…Identification of pigments in different layers of illuminated manuscripts by X-ray fluorescence mapping and Raman spectroscopy (2015)Identification of pigments in…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)A mobile instrument for in si…Analytical Archaeometry (2012)Analytical ArchaeometryScanning Multispectral IR Reflectography 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this work references cited by second hop

References

  • 2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping317 cited
  • 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
  • 2010Scanning Multispectral IR Reflectography SMIRR: An Advanced Tool for Art Diagnostics104 cited
  • 1992A Note on the Use of False-Color Infrared Photography in Conservation78 cited
  • 2015Identification of pigments in different layers of illuminated manuscripts by X-ray fluorescence mapping and Raman spectroscopy63 cited
  • 2012Analytical Archaeometry61 cited
  • 1933The Craftsman's Handbook43 cited
  • 2016Unusual pigments found in a painting by Giotto (c. 1266-1337) reveal diversity of materials used by medieval artists39 cited
  • 2015Non-invasive in situ analytical techniques working in synergy: The application on graduals held in the Certosa di Pavia36 cited
  • 2008A non invasive method to detect stratigraphy, thicknesses and pigment concentration of pictorial multilayers based on EDXRF and vis-RS: in situ applications33 cited
  • 2017Discovering the material palette of the artist: a p‐XRF stratigraphic study of the Giotto panel ‘God the Father with Angels’26 cited

Cited by

  • 2022Spectroscopic and Morphologic Investigation of Bronze Disease: Performance Evaluation of Portable Devices20 cited
  • 2019The archaeological site of St. Maria Veterana (Triggiano, Southern Italy): Archaeometric study of the wall paintings for the historical reconstruction

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15 cited
  • 2022FUXYA2020: A Low-Cost Homemade Portable EDXRF Spectrometer for Cultural Heritage Applications14 cited
  • 2024Combined Scanned Macro X-Ray Fluorescence and Reflectance Spectroscopy Mapping on Corroded Ancient Bronzes13 cited
  • 2022An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder12 cited