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Rhythm and resistance: explorations in the political uses of popular music
0 references·16 citing·52 second hop
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Cited by

  • 2000Vilayeti Rhythms61 cited
  • 1998Art music from 1800 to 186047 cited
  • 2011Music in War, Music for Peace: A Review Article46 cited
  • 1993The Maleny ‘Fire Event’: Rehearsals Toward Neo‐liminality39 cited
  • 1998Popular song and popular music on stage and film38 cited
  • 1994Popular Music in the Classroom: Teaching Race, Class, and Gender with Popular Culture34 cited
  • 1999John Dewey, Art and Public Life33 cited
  • 2019Do music festival communities address environmental sustainability and how? A Scottish case study32 cited
  • 1993Women in Music, Feminist Criticism, and Guerrilla Musicology: Reflections on Recent Polemics32 cited
  • 2009Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race29 cited
  • 2004“You Don't Get to Sing a Song When You Have Nothing to Say”: Oliver Mtukudzi's Music as a Vehicle for Socio-Political Commentary28 cited
  • 1998African American music to 190025 cited
  • 1998Ragtime and early jazz17 cited
  • 2018Music and the political expression and mobilization of second and third-generation immigrants in urban Europe: insights from Liège (Belgium)17 cited
  • 1999

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‘Some will see miracles’: The reception of Morris Cerullo world evangelism in Britain
15 cited
  • 2006Political Rap: The Music of Oppositional Resistance14 cited