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From Gesture to Myth: Artists’ techniques on the walls of Chauvet Cave
14 references·8 citing·35 second hop
From Gesture to Myth: Artists’ techniques on the walls of Chauvet Cave (2015)From Gesture to Myth: Artists’ techniques…Τesting models for the beginnings of the Aurignacian and the advent of figurative art and music: The radiocarbon chronology of Geißenklösterle (2012)Τesting models for the beginn…Context and dating of Aurignacian vulvar representations from Abri Castanet, France (2012)Context and dating of Aurigna…A female figurine from the basal Aurignacian of Hohle Fels Cave in southwestern Germany (2009)A female figurine from the ba…Les images de félins de la grotte Chauvet (2005)Les images de félins de la gr…Les dessins noirs des salles Hillaire et du Crâne, grotte Chauvet-Pont-d'Arc : chronologie relative (2005)Les dessins noirs des salles …Les dessins noirs de la grotte Chauvet-Pont-d'Arc : essai sur leur originalité dans le site et leur place dans l'art qurignacien (2005)Les dessins noirs de la grott…Circulations humaines et occupation de l'espace souterrain à la grotte Chauvet-Pont-d'Arc (2005)Circulations humaines et occu…Attribution des gravures paléolithiques de la grotte d'Aldène (Cesseras, Hérault) à l’Aurignacien par la datation des remplissages géologiques (2005)Attribution des gravures palé…Radiocarbon dating the appearance of modern humans and timing of cultural innovations in Europe: new results and new challenges (2003)Radiocarbon dating the appear…Fonction sémiologique de l'art pariétal animalier franco-cantabrique (1979)Fonction sémiologique de l'ar…Essai de sémiologie préhistorique (Pour une théorie des premiers signes graphiques de l'homme) (1977)Essai de sémiologie préhistor…Répartition et groupement des nnimaux dans l'art pariétal paléolithique (1958)Répartition et groupement des…Le symbolisme des grands signes dans l'art pariétal paléolithique (1958)Le symbolisme des grands sign…La fonction des signes dans les sanctuaires paléolithiques (1958)La fonction des signes dans l…The Role of Palaeolithic Cave-Art: Estimating Social Investment in Symbolic Expressions Through the Making Cost (2025)The Role of Palaeolithic Cave…Symbolic Use of Clay Before Pottery: Insights from the Palaeolithic Rock Art Site of Cova Dones (Eastern Iberia) (2025)Symbolic Use of Clay Before P…De las huellas a las técnicas: un abordaje experimental de las formas de aplicación de las pinturas rupestres de La Candelaria (Catamarca) (2023)De las huellas a las técnicas…Between and Beyond (2023)Between and BeyondDark Unfathom'd Caves: The Earliest Cultural Use of Color (2022)Dark Unfathom'd Caves: The Ea…TARİHÖNCESİNDE SANAT VE BAĞLAMLARI (2021)TARİHÖNCESİNDE SANAT VE BAĞLA…Relief and the Structure of Intentions in Late Palaeolithic Cave Art (2021)Relief and the Structure of I…Closely Observed Animals, Hunter-Gatherers, and Visual Imagery in Upper Paleolithic Art (2017)Closely Observed Animals, Hun…Emergence of Modern Human Behavior: Middle Stone Age Engravings from South Africa (2002)Palaeolithic ivory sculptures from southwestern Germany and the origins of figurative art (2003)Evolution, revolution or saltation scenario for the emergence of modern cultures? (2011)Prehistoire de l'art Occidental. (1966)La grotte Chauvet : à Vallon-Pont-d'Arc (1995)The Emergence of Ornaments and Art: An Archaeological Perspective on the Origins of “Behavioral Modernity” (2007)Timescales and cultural process at 40,000 BP in the light of the Campanian Ignimbrite eruption, Western Eurasia (2008)Before Lascaux: the complex record of the Early Upper Paleolithic (1994)The chronology of the earliest Upper Palaeolithic in northern Iberia: New insights from L'Arbreda, Labeko Koba and La Viña (2014)New data for the Early Upper Paleolithic of Kostenki (Russia) (2018)Still no archaeological evidence that Neanderthals created Iberian cave art (2019)Neanderthal Acculturation in Western Europe? A Critical Review of the Evidence and Its Interpretation (1998)The invisible frontier. A multiple species model for the origin of behavioral modernity (2003)New flutes document the earliest musical tradition in southwestern Germany (2009)Neandertal Demise: An Archaeological Analysis of the Modern Human Superiority Complex (2014)The modern human colonization of western Eurasia: when and where? (2014)Palaeolithic cave art in Borneo (2018)Neandertal DNA Sequences and the Origin of Modern Humans (1997)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)The mind in the cave: consciousness and the origins of art (2003)Nassarius kraussianus shell beads from Blombos Cave: evidence for symbolic behaviour in the Middle Stone Age (2004)C14 et style (2007)Art and the Middle-to-Upper Paleolithic transition in Europe: Comments on the archaeological arguments for an early Upper Paleolithic antiquity of the Grotte Chauvet art (2008)An alternative chronology for the art of Chauvet cave (2015)Representaciones arcaicas de bisonte en la Región Cantábrica (2000)Du geste au mythe : techniques des artistes sur les parois de la grotte Chauvet-Pont d’Arc (2015)From Top Down Under: New Insights into the Social Significance of Superimpositions in the Rock Art of Northern Kimberley, Australia (2019)Art as information: Explaining Upper Palaeolithic art in western Europe (1994)Can We Interpret Figurines? (1996)An Upper Palaeolithic engraved human bone associated with ritualistic cannibalism (2017)The Razor's Edge: Symbolic‐Structuralist Archeology and the Expansion of Archeological Inference (1990)The evolution of human artistic creativity (2009)The role of the cave in the expression of prehistoric societies (2016)L’utilisation des reliefs pariétaux dans la réalisation des signes au Paléolithique supérieur (2007)Towards a Formal Grammar of the European Palaeolithic Cave Art (2008)
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References

  • 2003Radiocarbon dating the appearance of modern humans and timing of cultural innovations in Europe: new results and new challenges410 cited
  • 2009A female figurine from the basal Aurignacian of Hohle Fels Cave in southwestern Germany400 cited
  • 2012Τesting models for the beginnings of the Aurignacian and the advent of figurative art and music: The radiocarbon chronology of Geißenklösterle289 cited
  • 2012Context and dating of Aurignacian vulvar representations from Abri Castanet, France90 cited
  • 1977Essai de sémiologie préhistorique (Pour une théorie des premiers signes graphiques de l'homme)52 cited
  • 2005Attribution des gravures paléolithiques de la grotte d'Aldène (Cesseras, Hérault) à l’Aurignacien par la datation des remplissages géologiques46 cited
  • 1958La fonction des signes dans les sanctuaires paléolithiques40 cited
  • 1958Le symbolisme des grands signes dans l'art pariétal paléolithique32 cited
  • 1979Fonction sémiologique de l'art pariétal animalier franco-cantabrique28 cited
  • 2005Les dessins noirs de la grotte Chauvet-Pont-d'Arc : essai sur leur originalité dans le site et leur place dans l'art qurignacien25 cited
  • 2005Les dessins noirs des salles Hillaire et du Crâne, grotte Chauvet-Pont-d'Arc : chronologie relative24 cited
  • 1958Répartition et groupement des nnimaux dans l'art pariétal paléolithique20 cited
  • 2005Les images de félins de la grotte Chauvet19 cited

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  • 2005Circulations humaines et occupation de l'espace souterrain à la grotte Chauvet-Pont-d'Arc17 cited
  • Cited by

    • 2023De las huellas a las técnicas: un abordaje experimental de las formas de aplicación de las pinturas rupestres de La Candelaria (Catamarca)7 cited
    • 2021Relief and the Structure of Intentions in Late Palaeolithic Cave Art6 cited
    • 2025The Role of Palaeolithic Cave-Art: Estimating Social Investment in Symbolic Expressions Through the Making Cost3 cited
    • 2025Symbolic Use of Clay Before Pottery: Insights from the Palaeolithic Rock Art Site of Cova Dones (Eastern Iberia)3 cited
    • 2021TARİHÖNCESİNDE SANAT VE BAĞLAMLARI3 cited
    • 2023Between and Beyond1 cited
    • 2017Closely Observed Animals, Hunter-Gatherers, and Visual Imagery in Upper Paleolithic Art1 cited
    • 2022Dark Unfathom'd Caves: The Earliest Cultural Use of Color0 cited