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Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model
16 references·3 citing·17 second hop
Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model (2018)Composition and Color of Maya Blue: Reexa…Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)Chemical stability and dehydr…The Color and Stability of Maya Blue: TDDFT Calculations (2009)The Color and Stability of Ma…A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)A combined synchrotron powder…Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Pre-columbian nanotechnology:…Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)Organic/inorganic complex pig…Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Chemometric Study of Maya Blu…On the Raman spectrum of Maya blue (2006)On the Raman spectrum of Maya…Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach (2006)Dehydroindigo: A New Piece in…Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Raman spectroscopic analysis …Maya Blue: A Computational and Spectroscopic Study (2005)Maya Blue: A Computational an…Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)Identification of the Pre-Col…The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice (2003)The Nature of the Colour Cent…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Crystal structure refinements…Étude et Identification du 'Bleu Maya' (1967)Étude et Identification du 'B…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Maya Blue: Alternative Hypotheses (1962)Maya Blue: Alternative Hypoth…Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment (2022)Influence of indigo-hydroxyl …Clay Minerals in European Painting of the Mediaeval and Baroque Periods (2020)Clay Minerals in European Pai…Multianalytical characterization of pigments from funerary artefacts belongs to the Chupicuaro Culture (Western Mexico): Oldest Maya blue and cinnabar identified in Pre-Columbian Mesoamerica (2019)Multianalytical characterizat…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)The Maya Blue Pigment (2011)Art on the Nanoscale and Beyond (2015)Maya Blue Paint: An Ancient Nanostructured Material (1996)The materials and techniques of medieval painting (1956)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments (2008)Painting Materials: A Short Encyclopedia (2011)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Surface‐enhanced Raman spectroscopy spectra of Mexican dyestuffs (2012)Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)In situ Raman and IR spectroscopic analysis of indigo dye (2010)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)Pigments—the palette of organic colourants in wall paintings (2021)The Invention of Blue and Purple Pigments in Ancient Times (2007)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)
this work references cited by second hop

References

  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2003Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction194 cited
  • 2005Maya Blue: A Computational and Spectroscopic Study163 cited
  • 2005Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico133 cited
  • 2011Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment111 cited
  • 2007Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment110 cited
  • 2006Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach108 cited
  • 2007Organic/inorganic complex pigments: Ancient colors Maya Blue104 cited
  • 2009A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue100 cited
  • 2009The Color and Stability of Maya Blue: TDDFT Calculations89 cited
  • 2003The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice86 cited
  • 1962Maya Blue: Alternative Hypotheses81 cited
  • 1967Étude et Identification du 'Bleu Maya'81 cited
  • 2007Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach77 cited

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  • 2004Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques71 cited
  • 2006On the Raman spectrum of Maya blue68 cited
  • Cited by

    • 2022Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment21 cited
    • 2020Clay Minerals in European Painting of the Mediaeval and Baroque Periods19 cited
    • 2019Multianalytical characterization of pigments from funerary artefacts belongs to the Chupicuaro Culture (Western Mexico): Oldest Maya blue and cinnabar identified in Pre-Columbian Mesoamerica17 cited