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Cited by

• 2013In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music69 cited
• 2013In Search of Romantic Form51 cited
• 2017Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions44 cited
• 2020Toward a Predictive Theory of Theme Types38 cited
• 2016In Search of Liberated Time, or Schubert's Quartet in G Major, D. 887: Once More Between Sonata and Variation18 cited
• 2010Formal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata8 cited
• 2012V ariation as T hematic A ctualisation : the C ase of B rahms 's O p . 97 cited
• 2020Rethinking Sonata Failure: Mendelssohn’s Overture Zum Märchen von der schönen Melusine6 cited
• 2021Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony6 cited
• 2010Becoming at a Deeper Level: Divisional Overlap in Sonata Forms from the Late Nineteenth Century5 cited
• 2010Beethoven’s “Tempest” Exposition5 cited
• 2010One More Time on Beethoven’s “Tempest,” From Analytic and Performance Perspectives4 cited
• 2016Harmony in Beethoven4 cited
• 2011A. B. Marx’sSonatenform3 cited