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Transgressing boundaries between film and music videos: Smarzowski, Kolski, and music videos in Poland
8 references·0 citing·24 second hop
Transgressing boundaries between film and music videos: Smarzowski, Kolski, and music videos in Poland (2019)Transgressing boundaries between film and…Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video (2017)Beyoncé’s Overwhelming Opus; …Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: “The Past and the Future Merge to Meet Us Here” (2016)Beyoncé’s Lemonade, Avant-Gar…Unruly Media (2013)Unruly MediaMUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)MUSIC VIDEO AND SYNAESTHETIC …Experiencing music video: aesthetics and cultural context (2004)Experiencing music video: aes…Sound and vision: the music video reader (1994)Sound and vision: the music v…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Rocking Around the Clock: Mus…Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Distinction: A Social Critique of the Judgement of Taste. (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Sound and Vision: (2013)The Many Faces of K‐pop Music Videos: Revues, Motown, and Broadway in “Twinkle” (2016)Unruly vision, synesthetic space: drone music videos (2020)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)Consumer Culture and Postmodernism (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Marketing in a postmodern world (1995)“Where My Girls At?” (2002)“Check On It” (2011)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)Digital Technology and Cultural Practice (2019)The Political Economy of Streaming (2019)Witnessing Race in the New Digital Cinema (2019)Electric Ladies in Playback (2022)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)Race and the Yugoslav region (2018)El videoclip postelevisivo actual. Propuesta metodológica y análisis estético (2016)Subscribing to Sex Edutainment (2016)Protecting the future ‘Us’: a rhetoric-performative multimodal analysis of the polarising far-right YouTube campaign videos in Finland (2023)
this work references cited by second hop

References

  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1987Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture353 cited
  • 1994Sound and vision: the music video reader298 cited
  • 2004Experiencing music video: aesthetics and cultural context281 cited
  • 2013Unruly Media243 cited
  • 2016Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: “The Past and the Future Merge to Meet Us Here”39 cited
  • 2007MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY14 cited
  • 2017Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video13 cited

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