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Fashion and art cycles are driven by counter-dominance signals of elite competition: quantitative evidence from music styles
16 references·9 citing·40 second hop
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 1960The Strategy of Conflict7,683 cited
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  • 2001Rational Ritual: Culture, Co-ordination and Common Knowledge750 cited
  • 1969Fashion: From Class Differentiation to Collective Selection748 cited
  • 1993Egalitarian Behavior and Reverse Dominance Hierarchy [and Comments and Reply]675 cited
  • 2010Subtle Signals of Inconspicuous Consumption597 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
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  • 2004Random drift and culture change415 cited
  • 1993Design Innovation and Fashion Cycles329 cited
  • 2013Sociology of Fashion: Order and Change213 cited
  • 2007Regular rates of popular culture change reflect random copying181 cited
  • 2006Creativity and Innovation in the Music Industry

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154 cited

Cited by

  • 2020Open-ended cumulative cultural evolution of Hollywood film crews36 cited
  • 2019Conformity bias in the cultural transmission of music sampling traditions36 cited
  • 2021Phylogenetic reconstruction of the cultural evolution of electronic music via dynamic community detection (1975–1999)27 cited
  • 2026Cultural evolution of music and language18 cited
  • 2024Computational thematics: comparing algorithms for clustering the genres of literary fiction11 cited
  • 2023Cultural Evolution and Music11 cited
  • 2022Dynamic cluster structure and predictive modelling of music creation style distributions8 cited
  • 2025The cultural evolution of distortion in music (and other norms of mixed appeal)6 cited
  • 2021Limited Scope for Group Coordination in Stylistic Variations of Kolam Art6 cited