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“Equiheptatonic” Tuning in Thai Classical Music: Strict Propriety and Step Sizes
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“Equiheptatonic” Tuning in Thai Classical Music: Strict Propriety and Step Sizes (2019)“Equiheptatonic” Tuning in Thai Classical…The Garland Encyclopedia of World Music (2017)The Garland Encyclopedia of W…The Garland Handbook of Southeast Asian Music (2008)The Garland Handbook of South…The Cambridge History of Western Music Theory (2007)The Cambridge History of West…On the Tuning and Stretched Octave of Javanese Gamelans (1994)On the Tuning and Stretched O…The Interface between Theory and Practice: Intonation in Arab Music (1993)The Interface between Theory …A Theory for all Music (1983)A Theory for all MusicJavanese Pélog Tunings Reconsidered (1978)Javanese Pélog Tunings Recons…The Traditional Music of Thailand (1976)The Traditional Music of Thai…Tone measurements of outstanding Javanese gamelans in Jogjakarta and Surakarta (1972)Tone measurements of outstand…Tuning and Temperament; A Historical Survey (1952)Tuning and Temperament; A His…Traditions of Gamelan Music in Java: Musical Pluralism and Regional Identity (1995)Microtonal Tunings in Electronic Dance Music: A Survey of Precedent and Potential (2016)The Interpretation of Cultures (2017)Traditional Music in Modern Java (2019)The nuclear theme as a determinant of paṭet in Javanese music (1954)Music in Java; Its History, Its Theory and Its Technique (1975)Augmenting Creative Realities: The Second Life Performance Project (2009)Convergent evolution in a large cross-cultural database of musical scales (2021)Transmission of Cantonese opera in the conservatory tradition: two case studies in South China and Hong Kong (2014)Peran Partisipan sebagai Bagian Infrastruktur Seni di Sumatera Barat: Perkembangan Seni Musik Talempong Kreasi (2016)The Flexibility Hypothesis of Healing (2016)Contextual Strategies of Inquiry and Systematization (1990)Analytical and Cross-Cultural Studies in World Music (2013)Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research (2019)A Concept of Time in a Music of Southeast Asia (A Preliminary Account) (1986)Sound, Pitch, and Scale: From "Tone Measurements" to Sonological Analysis in Ethnomusicology (2001)Using Diverse Sources of Evidence for Reconstructing the Past History of Musical Exchanges in the Indian Ocean (2014)Music theory and mathematics (2002)Vocal performance in the seventeenth century (2012)The Cambridge History of Sixteenth-Century Music (2019)MaqamAnalysis (2013)Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century (2016)Empire, diplomacy, and the racial imagination: Spain at the Cairo Congress of Arab Music (1932) (2022)Flourishing horns and enchanted tubers: Music and potatoes in highland Bolivia (1994)Music in the Early Colonial World (2019)Diachronic Changes in Jazz Harmony (2013)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Flexibility in the Performance Practice of Central Javanese Music (1981)Analysis and Perception of Javanese Gamelan Tunings (2019)
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References

  • 1952Tuning and Temperament; A Historical Survey154 cited
  • 2007The Cambridge History of Western Music Theory126 cited
  • 1976The Traditional Music of Thailand77 cited
  • 2017The Garland Encyclopedia of World Music56 cited
  • 2008The Garland Handbook of Southeast Asian Music25 cited
  • 1993The Interface between Theory and Practice: Intonation in Arab Music24 cited
  • 1983A Theory for all Music22 cited
  • 1994On the Tuning and Stretched Octave of Javanese Gamelans18 cited
  • 1978Javanese Pélog Tunings Reconsidered16 cited
  • 1972Tone measurements of outstanding Javanese gamelans in Jogjakarta and Surakarta14 cited

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