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Saponification in egg yolk-based tempera paintings with lead-tin yellow type I
14 references·6 citing·28 second hop
Saponification in egg yolk-based tempera paintings with lead-tin yellow type I (2019)Saponification in egg yolk-based tempera …Lead soaps in paintings: Friends or foes? 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Pigment and Lead-Related Degradation and Migration Phenomena in Oil Paintings (2011)SEM Backscattered-Electron Im…Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)Identification of reaction co…Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Attenuated total reflection m…Analytical Imaging Studies of Cross-Sections of Paintings Affected by Lead Soap Aggregate Formation (2007)Analytical Imaging Studies of…Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums (2006)Kinetics of oil saponificatio…Long-Term Chemical and Physical Processes in Oil Paint Films (2005)Long-Term Chemical and Physic…The Characterization of Metal Soaps (2003)The Characterization of Metal…The characterisation of lead fatty acid soaps in ‘protrusions’ in aged traditional oil paint (2003)The characterisation of lead …Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…Multi-technique structural analysis of zinc carboxylates (soaps) (2023)Multi-technique structural an…Critical Analysis of the Materials Used by the Venetian Artist Guido Cadorin (1892–1976) during the Mid-20th Century, Using a Multi-Analytical Approach (2023)Critical Analysis of the Mate…The dome of Rotunda in Thessaloniki: Investigation of a multi-pictorial phase wall painting through analytical methods (2021)The dome of Rotunda in Thessa…Connecting Rheological Properties and Molecular Dynamics of Egg‐Tempera Paints based on Egg Yolk (2021)Connecting Rheological Proper…Non-invasive identification of lead soaps in painted miniatures (2020)Non-invasive identification o…Mixed lead carboxylates relevant to soap formation in oil and tempera paintings: the study of the crystal structure by complementary XRPD and ssNMR (2019)Mixed lead carboxylates relev…The Organic Chemistry of Museum Objects (1988)In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR (2013)Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy (2013)A Critical Review on the Analysis of Metal Soaps in Oil Paintings (2021)Ancient Egyptian Materials and Industries (1948)Making make-up in Ancient Egypt (1999)Micro-analytical study of interactions between oil and lead compounds in paintings (2007)Zinc white: a review of zinc oxide pigment properties and implications for stability in oil-based paintings (2012)Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (2019)National Gallery Technical Bulletin (1979)Infrared Spectroscopy in Conservation Science (2000)Ionomer-like structure in mature oil paint binding media (2016)The crystallization of metal soaps and fatty acids in oil paint model systems (2016)Investigating the Photocatalytic Degradation of Oil 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studies on paint samples from the National Gallery, London (2008)Photon-Based Techniques for Nondestructive Subsurface Analysis of Painted Cultural Heritage Artifacts (2010)New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)
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References

  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy282 cited
  • 2003The Characterization of Metal Soaps249 cited
  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
  • 2007Analytical Imaging Studies of Cross-Sections of Paintings Affected by Lead Soap Aggregate Formation129 cited
  • 2003The characterisation of lead fatty acid soaps in ‘protrusions’ in aged traditional oil paint120 cited
  • 2016Lead soaps in paintings: Friends or foes?114 cited
  • 2005Long-Term Chemical and Physical Processes in Oil Paint Films111 cited
  • 2009Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR106 cited
  • 2006Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums101 cited
  • 2012Metal Stearate Distributions in Modern Artists' Oil Paints: Surface and Cross-Sectional Investigation of Reference Paint Films Using Conventional and Synchrotron Infrared Microspectroscopy92 cited
  • 2011SEM Backscattered-Electron Images of Paint Cross Sections as Information Source for the Presence of the Lead White Pigment and Lead-Related Degradation and Migration Phenomena in Oil Paintings63 cited
  • 2012A joint application of ATR-FTIR and SEM imaging with high spatial resolution: Identification and distribution of painting materials and their degradation products in paint cross sections57 cited
  • 2013

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Degradation of Emerald green in oil paint and its contribution to the rapid change in colour of theDescente des vaches(1834–1835) painted by Théodore Rousseau
44 cited
  • 2014207Pb and119Sn Solid-State NMR and Relativistic Density Functional Theory Studies of the Historic Pigment Lead–Tin Yellow Type I and Its Reactivity in Oil Paintings37 cited
  • Cited by

    • 2019Mixed lead carboxylates relevant to soap formation in oil and tempera paintings: the study of the crystal structure by complementary XRPD and ssNMR28 cited
    • 2020Non-invasive identification of lead soaps in painted miniatures18 cited
    • 2023Multi-technique structural analysis of zinc carboxylates (soaps)17 cited
    • 2021Connecting Rheological Properties and Molecular Dynamics of Egg‐Tempera Paints based on Egg Yolk13 cited
    • 2021The dome of Rotunda in Thessaloniki: Investigation of a multi-pictorial phase wall painting through analytical methods9 cited
    • 2023Critical Analysis of the Materials Used by the Venetian Artist Guido Cadorin (1892–1976) during the Mid-20th Century, Using a Multi-Analytical Approach8 cited