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Murujuga at a crossroads: considering the evidence of nineteenth-century contact, Dampier Archipelago, northwest Australia
6 references·4 citing·36 second hop
Murujuga at a crossroads: considering the evidence of nineteenth-century contact, Dampier Archipelago, northwest Australia (2018)Murujuga at a crossroads: considering the…Early human occupation of a maritime desert, Barrow Island, North-West Australia (2017)Early human occupation of a m…Murujuga Marni:Rock Art of the Macropod Hunters and Mollusc Harvesters (2015)Murujuga Marni:Rock Art of th…Rock Art In Arid Landscapes: Pilbara And Western Desert Petroglyphs (2013)Rock Art In Arid Landscapes: …Iconic imagery: Pleistocene rock art development across northern Australia (2011)Iconic imagery: Pleistocene r…Dampier Archipelago petroglyphs: archaeology, scientific values and National Heritage Listing (2009)Dampier Archipelago petroglyp…State of the Art: Regional Rock Art Studies in Australia and Melanesia (1994)State of the Art: Regional Ro…Contact Rock Art: A Biographical Perspective from Western Arnhem Land, Australia (2025)Contact Rock Art: A Biographi…Scratching the surface: Subtractive rock markings from the Cockburn Ranges, eastern Kimberley, Western Australia (2023)Scratching the surface: Subtr…RETRACTED: Applying geoarchaeological principles to marine archaeology: A reappraisal of the “first marine” and “in situ” lithic scatters in the Dampier Archipelago, NW Australia (2022)RETRACTED: Applying geoarchae…The Presence of Absence: Why Does the Post-contact Rock Art of Torres Strait (Northeastern Australia) Not Include Paintings of European Ships? (2021)The Presence of Absence: Why …Walbiri Iconography: Graphic Representation and Cultural Symbolism in a Central Australian Society (1973)The Identification of Prehistoric Hunter-Gatherer Aggregation Sites: The Case of Altamira [and Comments and Reply] (1980)The Uses of Style in Archaeology (1994)Plants before farming: The deep history of plant-use and representation in the rock art of Australia's Kimberley region (2017)Aboriginal artefacts on the continental shelf reveal ancient drowned cultural landscapes in northwest Australia (2020)The Native Tribes of Central Australia (1899)Aboriginal Man and Environment in Australia. (1972)Continent of Hunter-Gatherers: New Perspectives in Australian Prehistory (1997)The potential for discovery of new submerged archaeological sites near the Dampier Archipelago, Western Australia (2013)Elemental fingerprinting of Kenya Rift Valley ochre deposits for provenance studies of rock art and archaeological pigments (2016)Beyond the Barriers (2022)Backtracking to Babel: the chronology of Pama‐Nyungan expansion in Australia (1996)Maritime deserts of the Australian northwest (2014)Karnatukul (Serpent’s Glen): A new chronology for the oldest site in Australia’s Western Desert (2018)Pelagic Fishing at 42,000 Years Before the Present and the Maritime Skills of Modern Humans (2011)Forum The Restaurant At The End Of The Universe: Modelling the colonisation of Sahul (2012)The archaeology, chronology and stratigraphy of Madjedbebe (Malakunanja II): A site in northern Australia with early occupation (2015)Human occupation of northern Australia by 65,000 years ago (2017)Least-cost pathway models indicate northern human dispersal from Sunda to Sahul (2018)The Voyage to Marege: Macassan Trepangers in Northern Australia (1979)Culture Contact Studies: Redefining the Relationship between Prehistoric and Historical Archaeology (1995)The Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017)Misinformation and Its Correction (2012)Modelling science trustworthiness under publish or perish pressure (2018)When did Homo sapiens first reach Southeast Asia and Sahul? (2018)A wet strawman: A response to Ward et al. (2022)Bathymetric LiDAR and Semi‐Automated Feature Extraction Assist Underwater Archaeological Surveys (2024)Ancestral Connections: Art and an Aboriginal System of Knowledge. (1995)Children and Material Culture (2005)Picture-writing of the American Indians (1894)Islands of history (1985)Inscribed landscapes: marking and making place (2003)Stone artifacts in the intertidal zone, Dampier Archipelago: Evidence for a submerged coastal site in Northwest Australia (2019)Uranium-series dating rock art in East Timor (2006)Symbolic behaviour and the peopling of the southern arc route to Australia (2008)The revolution that didn't arrive: A review of Pleistocene Sahul (2008)
this work references cited by second hop

References

  • 2017Early human occupation of a maritime desert, Barrow Island, North-West Australia184 cited
  • 1994State of the Art: Regional Rock Art Studies in Australia and Melanesia73 cited
  • 2009Dampier Archipelago petroglyphs: archaeology, scientific values and National Heritage Listing61 cited
  • 2013Rock Art In Arid Landscapes: Pilbara And Western Desert Petroglyphs60 cited
  • 2015Murujuga Marni:Rock Art of the Macropod Hunters and Mollusc Harvesters49 cited
  • 2011Iconic imagery: Pleistocene rock art development across northern Australia43 cited

Cited by

  • 2022RETRACTED: Applying geoarchaeological principles to marine archaeology: A reappraisal of the “first marine” and “in situ” lithic scatters in the Dampier Archipelago, NW Australia12 cited
  • 2021The Presence of Absence: Why Does the Post-contact Rock Art of Torres Strait (Northeastern Australia) Not Include Paintings of European Ships?4 cited
  • 2023Scratching the surface: Subtractive rock markings from the Cockburn Ranges, eastern Kimberley, Western Australia1 cited
  • 2025Contact Rock Art: A Biographical Perspective from Western Arnhem Land, Australia0 cited

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