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Chromatographic, Microscopic, and Spectroscopic Characterization of a Wooden Architectural Painting from the Summer Palace, Beijing, China
13 references·0 citing·49 second hop
Chromatographic, Microscopic, and Spectroscopic Characterization of a Wooden Architectural Painting from the Summer Palace, Beijing, China (2019)Chromatographic, Microscopic, and Spectro…Advanced analytical investigation on degradation markers in wall paintings (2018)Advanced analytical investiga…Execution technique and pigment characteristics of Byzantine wall paintings of Anaia Church in Western Anatolia (2017)Execution technique and pigme…Analytical characterization of the palette and painting techniques of Jorge Afonso, the great 16th century Master of Lisbon painting workshop (2017)Analytical characterization o…Multi-analytical study of the suspected binding medium residues of wall paintings excavated in Tang tomb, China (2016)Multi-analytical study of the…Integrated Analysis of Pigments on Murals and Sculptures in Mogao Grottoes (2015)Integrated Analysis of Pigmen…Analysis of the techniques and materials of the coloured paintings in the Renshou Hall in the Summer Palace (2015)Analysis of the techniques an…Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings (2014)Proteomic identification of o…Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Analytical Strategies for Cha…Organic Mass Spectrometry in Art and Archaeology (2009)Organic Mass Spectrometry in …Study of Complex Organic Binding Media Systems on Artworks Applying GC‐MS Analysis: Selected Examples from the Kunsthistorisches Museum, Vienna (2006)Study of Complex Organic Bind…Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China (2004)Analytical study of tradition…BLOOD AS A BINDING MEDIUM IN A CHUMASH INDIAN PIGMENT CAKE (1996)BLOOD AS A BINDING MEDIUM IN …Greek and Roman Technology (1985)Greek and Roman TechnologyInfrared Spectroscopy in Conservation Science (2000)Investigating the history of prehistoric glues by gas chromatography–mass spectrometry (2004)Characterization of Ancient Chinese Textiles by ultra-high performance liquid chromatography/quadrupole-time of flight mass spectrometry (2017)Preservation of the metaproteome: variability of protein preservation in ancient dental calculus (2017)Identification of proteinaceous binders in paintings: A targeted proteomic approach for cultural heritage (2018)The natural history of Pliny (1855)A History of Building Materials (1962)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Polychromic structures and pigments in Guangyuan Thousand-Buddha Grotto of the Tang Dynasty (China) (2012)“A methodological assessment of the importance of physical values in architectural conservation using Shannon entropy method” (2020)Degradation of emerald green: scientific studies on multi-polychrome Vairocana Statue in Dazu Rock Carvings, Chongqing, China (2020)The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Analytical chemistry in the field of cultural heritage (2015)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Craft Specialization in the Prehistoric Channel Islands, California (1987)A Study of Some Californian Indian Rock Art Pigments (1993)Characterization of blood in an encrustation on an African mask: spectroscopic and direct analysis in real time mass spectrometric identification of haem (2013)Analysis of polychromy binder on Qin Shihuang's Terracotta Warriors by immunofluorescence microscopy (2014)Development of an enzyme-linked-immunosorbent-assay technique for accurate identification of poorly preserved silks unearthed in ancient tombs (2015)Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids (1998)Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)An Egyptian Cartonnage of the Graeco-Roman Period (2003)SCIENTIFIC INVESTIGATIONS OF ANTIQUE LACQUERS FROM A 17TH‐CENTURY JAPANESE ORNAMENTAL CABINET (2010)Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques (2016)Direct Inlet Py-GC-MS analysis of cultural heritage materials (2022)Analysis of pigments from Roman wall paintings found in Vicenza (2003)Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Green pigments of the Pompeian artists’ palette (2008)Analysis of an Ancient Architectural Painting from the Jiangxue Palace in the Imperial Museum, Beijing, China (2020)Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques (2022)Analysis of the materials and processes of hanging sculptures in Guanyin Hall (2024)National Gallery Technical Bulletin (1979)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment identification on an undated Chinese painting by non-destructive analysis (2018)Unveiling the underprintings of a late-fifteenth-early-sixteenth century illuminated French incunabulum by infrared reflectography (2019)Conductive cross-section preparation of non-conductive painting micro-samples for SEM analysis (2022)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Painting Materials: A Short Encyclopedia (2011)Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt (2018)Characterization of Waxes in the Roman Wall Paintings of the Herculaneum Site (Italy) (2022)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Agriculture, underemployment, and the cost of rural labour in the Roman world (1999)Concrete Vaulted Construction in Imperial Rome (2005)The Cambridge Companion to the Roman Economy (2012)New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field (2018)
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References

  • 2009Organic Mass Spectrometry in Art and Archaeology309 cited
  • 2010Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry184 cited
  • 1985Greek and Roman Technology152 cited
  • 2014Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings58 cited
  • 2004Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China54 cited
  • 2018Advanced analytical investigation on degradation markers in wall paintings45 cited
  • 2006Study of Complex Organic Binding Media Systems on Artworks Applying GC‐MS Analysis: Selected Examples from the Kunsthistorisches Museum, Vienna43 cited
  • 1996BLOOD AS A BINDING MEDIUM IN A CHUMASH INDIAN PIGMENT CAKE34 cited
  • 2015Integrated Analysis of Pigments on Murals and Sculptures in Mogao Grottoes32 cited
  • 2017Analytical characterization of the palette and painting techniques of Jorge Afonso, the great 16th century Master of Lisbon painting workshop24 cited
  • 2016Multi-analytical study of the suspected binding medium residues of wall paintings excavated in Tang tomb, China21 cited
  • 2017Execution technique and pigment characteristics of Byzantine wall paintings of Anaia Church in Western Anatolia19 cited
  • 2015Analysis of the techniques and materials of the coloured paintings in the Renshou Hall in the Summer Palace

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